5:26 PM
Blog Fasion
- DISNEY'S A CHRISTMAS CAROL - 2-DISC BD COMBO PACK (BLU-RAY DISC)
Wednesday, November 30, 2011
Disney's A Christmas Carol (Two-Disc Blu-ray/DVD Combo)
Dirty Deeds (Unrated)
- An American Pie-style teen comedy in which a high school senior tries to become the first student to complete the coveted "10 Dirty Deeds" an outrageous series of challenges that must be completed between dusk and dawn on the Friday night of Homecoming weekend. The mild-mannered Zach, (Milo Ventimiglia) shows he is no pushover when he takes on the deeds to protect the younger brother of the girl o
NaturVet Coprophagia DETERRENT Tablets, 60 Count
- Recommended to help deter dogs from consuming their own stools or other dogs stools.
- Convenient, easy to use.
The year is 2008, and U.S. President Walter Emerson (Kevin Pollak) has something to prove. He wasn't elected (he took office upon the death of the previous president), and he needs a pivotal boost in a current primary election. While he and his entourage are trapped under heavy snowfal! l in a tiny Colorado diner, Emerson must decide whether to unleash a nuclear arsenal on the son of Saddam Hussein, who has invaded Kuwait and taken hundreds of American lives. With his chief of staff (Timothy Hutton), top advisers, and a cluster of terrified diners, Emerson sorts through his options as tensions come to a boil.
This all works well on the surface, and Deterrence gains depth by depicting a president who is potentially as evil as his unseen enemy. But the film is almost fatally vague (clearly Lurie wants viewers to bring their own interpretation to these events) and ends with a twist that's too contrived to be dramatically satisfying. Until that point, however, Deterrence will certainly keep you engaged. --Jeff ShannonAs a concept, deterrence has launched a thousand books and articles. It has dominated Western strategic thinking for more than four decades. In this important and groundbreaking new book, Lawrence Freedman develops a disti! nctive approach to the evaluation of deterrence as both a stat! e of min d and a strategic option. This approach is applied to post-cold war crisis management, and the utility and relevance of the concept is addressed in relation to US strategic practice post-9/11, particularly in the light of the apparent preference of the Bush Administration for the alternative concept of pre-emption.
The study of deterrence has been hampered by the weight of the intellectual baggage accumulated since the end of the Second World War. Exaggerated notions of what deterrence might achieve were developed, only to be to knocked down by academic critique. In this book, Freedman charts the evolution of the contemporary concept of deterrence, and discusses whether - and how - it still has relevance in today's world. He considers constructivist as well as realist approaches and draws on criminological as well as strategic studies literature to develop a concept of a norms-based, as opposed to an interest-based, deterrence. This book will be essential reading ! for students of politics and international relations as well as all those interested in contemporary strategic thought.RECKONING/DETERRENCE - DVD Movie
As the costs of a preemptive foreign policy in Iraq have become clear, strategies such as containment and deterrence have been gaining currency among policy makers. This comprehensive book offers an agenda for the contemporary practice of deterrenceâ€"especially as it applies to nuclear weaponsâ€"in an increasingly heterogeneous global and political setting.
Moving beyond the precepts of traditional deterrence theory, this groundbreaking volume offers insights for the use of deterrence in the modern world, where policy makers may encounter irrational actors, failed states, religious zeal, ambiguous power relationships, and other situations where the traditional rules of statecraft do not apply. A distinguished group of contributors here examines issues such as deterrence among the Great Powers; the problems of ! regional and nonstate actors; and actors armed with chemical, ! biologic al, and nuclear weapons. Complex Deterrence will be a valuable resource for anyone facing the considerable challenge of fostering security and peace in the twenty-first century.
Bigger, Stronger, Faster*
- In America, we define ourselves in the superlative: we are the biggest, strongest, fastest country in the world. We reward speed, size and above all else: winning at sport, at business and at war. Metaphorically we are a nation on steroids. Is it any wonder that so many of our heroes are on performance enhancing drugs?From the producers of Bowling For Columbine and Fahrenheit 9/11 comes a new film
Born Romantic: Music From The Motion Picture (Original Soundtrack)
- OST
- O.S.T.
- 5099750182420
Brooklyn Rules
- TESTED
Produced and directed by Michael Corrente (Outside Providence, American Buffalo) and written by Emmy Award Winning writer Terence Winter (The Sopranos)If Brooklyn Rules, a tale about a trio of good fellas making their way through the mean streets of that New York borough, just happens to remind you of the work of Martin Scorsese, you're not the only one. But even if it's not the most original film in cinematic history, director Michael Corrente's 2007 effort is entertaining enough to hold one's attention for most of its 99 minute running time! . Michael (Freddie Prinze Jr., who also supplies the voice-over narration), Bobby (Jerry Ferrara, Entourage's Turtle), and Carmine (Scott Caan, son of James) are the kind of punks who stole money from the church collection plate when they were Catholic schoolboys. Cut to the 1980s, when they're in their twenties, still close pals but following divergent paths: Michael, a smart, ambitious Columbia undergrad, plans to become a lawyer, while nerdy skinflint Bobby ("You're so cheap, if you saw a sign that said 'free slaps in the face,' you'd be the first in line," says Mike) hopes to land a gig at the post office, and the narcissistic Carmine is falling in with the wrong crowd, courtesy of Caesar Manganaro (Alec Baldwin), a captain in the Gambino crime family. Needless to say, conflicts ensue, as Michael scores a WASP girlfriend (an underused Mena Suvari), a mob war breaks out (based on real events, including the murder of big boss Paul Castellano and the ascension of Jo! hn Gotti), violence strikes tragically close to home, and the ! f-word i s employed liberally. Corrente does a nice job of evoking an era in which Billy Idol and Culture Club ruled the airwaves and Cabbage Patch Dolls were all the rage; and writer Terence Winter, a veteran of The Sopranos, has an ear for colorful, pithy dialogue ("That cardigan makes you look like the Italian Fred MacMurray"… "Depressed? She wouldn't be happy sitting in the lap of Jesus"). But a largely unsatisfying ending underscores the fact that Brooklyn Rules is nothing to go to the mattresses for. Extras including commentary by Corrente and Winter and a video accompanying the Rolling Stones' "Sympathy for the Devil," which is featured on the soundtrack. --Sam Graham
First Snow in the Woods: A Photographic Fantasy
- ISBN13: 9780977010868
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The first snow has fallen.
The mice children go sledding
with Grandma and Grandpa.
But at the top of the hill,
who will go first?
Bitty, the smallest mouse,
is scared.
When she tries,
WHEEEEEE,
she finds that sledding is the best!
Caldecott Medalist Emily Arnold McCully captured the chills and thrills of a first sled ride when first snow was published in 1985. She has added words and created new pictures for this handsome larger edition, a compani! on to picnic.
KNOCKED OUT OF THE SKY BY A PASSING PLANE, SEAN HAS MISSED HISBIG FLIGHT SOUTH. BUT WINTER IS SCHEDULED TO ARRIVE ON TIME, SO THE LITTLE DUCK WILL HAVE TO PREPARE. LUCKILY, SEAN MEETS VOLEY,A GOODHEARTED FRIEND WHO TAKES SEAN UNDER HIS WING, TEACHING HIMHOW TO GATHER FOOD AND WARMTH AND STEER CLEAR OF THE CRAFTY FOX.The winter adventures of an errant young Irish duck who loses track of his family on their annual southbound flight make for a charming tale voiced in accents from the British Isles with appealing animation reminiscent of the Little Bear series. If our hero Sean were human, he would probably be diagnosed with Attention Deficit Disorder. But he's fowl, so his mother (Carol Kane) makes her own diagnosis: he's "a duck running amok." So it's no surprise when he strays from the family formation and gets knocked back to earth to face winter alone. He is ably tutored by a good-natured, riverdancing vole (Tim Curry) who imparts some handy survi! val wisdom before he hibernates. The last 10 minutes of this 2! 7-minute story are crammed with a series of short-lived perils involving a storm, a fox, and Sean's inability to find his parents as the ducks return in the spring. It all ends well, but very young and/or sensitive children may have a few anxious moments along the way. --Kimberly Heinrichs Tuesday, November 29, 2011
Hunger: A Gone Novel
- ISBN13: 9780061449086
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. Long ago the districts waged war on the Capitol and were defeated. As part of the surrender terms, each district agreed to send one boy and one girl to appear in an annual televised event called, "The Hunger Games," a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when she is forced to represent her district in the Games. The terrain, rules, and level of audience participation may change but one thing is constant: kill or be killed.
Stills from Hunger
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With the exception of Julian Schnabel, visual artists have had a tough time at the cinema, but like the American painter before him, B! ritain's Steve McQueen beat the odds with the award-winning Hunger. In his visceral depiction of a political hunger strike, McQueen emphasizes specific moments over plot mechanics. Guard Raymond Lohan (Stuart Graham) serves as a guide into the hell of Belfast's Maze Prison, circa 1981, where Bobby Sands (Michael Fassbender in a remarkable performance) and his IRA brethren hunker down in blankets, since they refuse to don uniforms and can't wear their own clothes. They dump food on the floor, smear waste on the walls, and sleep with maggots in protest against their conditions. Even after moving the prisoners, the mistreatment continues, so they step up their campaign. It's no way to live, and it isn't easy to watch, but McQueen provides a reprieve through Sands's riveting conversation with Father Dominic Moran (Liam Cunningham), a scene his backers pressured him to cut, but the filmmaker wisely stood firm In his director's statement, McQueen says he wanted to "show wh! at it was like to see, hear, smell, and touch in the H-Block."! Because he avoids editorializing, it's as easy to condemn his subjects for their naïve idealism as it is to admire their singularity of purpose. Art background aside, McQueen clearly knows his U.K. film history, and appears to have spent time with the works of Alan Clarke (specifically Elephant) and Stanley Kubrick (see A Clockwork Orange), who share his fascination with the abuse of power, the horror of sudden violence, and the splendor of the static shot. --Kathleen C. FennessyIn the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and one girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when sh! e is forced to represent her district in the Games. But Katniss has been close to dead before-and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weigh survival against humanity and life against love.
Acclaimed writer Suzanne Collins, author of the New York Times bestselling The Underland Chronicles, delivers equal parts suspense and philosophy, adventure and romance, in this searing novel set in a future with unsettling parallels to our present.In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and one girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with! her mother and younger sister, regards it as a death sentence! when sh e is forced to represent her district in the Games. But Katniss has been close to dead before-and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weigh survival against humanity and life against love.
Acclaimed writer Suzanne Collins, author of the New York Times bestselling The Underland Chronicles, delivers equal parts suspense and philosophy, adventure and romance, in this searing novel set in a future with unsettling parallels to our present.
The extraordinary, ground breaking New York Times bestsellers The Hunger Games and Catching Fire, along with the third book in The Hunger Games trilogy by Suzanne Collins, Mockingjay, are available for the first time ever in a beautiful boxset edition. Stunning, gripping, and powerful. The trilogy is now complete!
It's been three months since all the adults disappea! red. Gone.
food ran out weeks ago and starvation is imminent. Meanwhile, the normal teens have grown resentful of the kids with powers. And when an unthinkable tragedy occurs, chaos descends upon the town. There is no longer right and wrong. Each kid is out for himself and even the good ones turn murderous.
But a larger problem looms. The Darkness, a sinister creature that has lived buried deep in the hills, begins calling to some of the teens in the FAYZ. Calling to them, guiding them, manipulating them.
The Darkness has awakened. And it is hungry.
GTMax Black Rapid Retractable Car Charger for Verizon Samsung Fascinate Galaxy S CDMA Cellphone
- Charge your cell phone when you're on the road. Car charger plugs into your car's cigarette lighter and charges your phone while you're driving.
- Use the time you spend in your car to make sure that your phone is ready to go.
- The innovative retractable design with quick release button cuts down on travel bulk and ensures the portability of your cell phone without sacrificing functionality. No more tangled cable mess.
- Intelligent IC chip recognizes a fully charged battery and automatically switches to saver mode to prevent overcharging and short circuit.
- Fits any devices that uses a Micro-USB Port.
The Tenth Insight: Holding the Vision (Celestine Prophecy)
- ISBN13: 9780446674577
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
In the rain forests of Peru, an ancient manuscript has been discovered. Within its pages are 9 key insights into life itself -- insights each human being is predicted to grasp sequentially; one insight, then another, as we move toward a completely spiritual culture on Earth. Drawing on ancient wisdom, it tells you how to make connections among the events happening in your life right now and lets you see what is going to happen to you in the years to come. The story it tells is a gripping one of adventure and discovery, but it is also a guidebook that has the power to crystallize you! r perceptions of why you are where you are in life and to direct your steps with a new energy and optimisim as you head into tomorrow.Find out for yourself why virtually everyone you know has this book, described as an "adventure in pursuit of a spiritual mystery", on their coffee table. In the tradition of Carlos Castaneda's The Teachings of Don Juan. The adventure that began with The Celestine Prophecy continues as the action shifts to a wilderness in the American Southeast where the narrator's friend has disappeared.
THE BRIDGE ON THE RIVER KWAI 11X14 COLOR PHOTO
- Description: High Quality real photograph printed on Fuji Paper.
- Size: 11X14 inches
- Would look great at home or in your office!
Director David Lean's masterful 1957 realization of Pierre Boulle's novel remains a benchmark for war films, and a deeply absorbing movie by any standard--like most of Lean's canon, The Bridge on the River Kwai achieves a richness in theme, narrative, and characteri! zation that transcends genre.
The story centers on a Japanese prison camp isolated deep in the jungles of Southeast Asia, where the remorseless Colonel Saito (Sessue Hayakawa) has been charged with building a vitally important railway bridge. His clash of wills with a British prisoner, the charismatic Colonel Nicholson (Alec Guinness), escalates into a duel of honor, Nicholson defying his captor's demands to win concessions for his troops. How the two officers reach a compromise, and Nicholson becomes obsessed with building that bridge, provides the story's thematic spine; the parallel movement of a team of commandos dispatched to stop the project, led by a British major (Jack Hawkins) and guided by an American escapee (William Holden), supplies the story's suspense and forward momentum.
Shot on location in Sri Lanka, Kwai moves with a careful, even deliberate pace that survivors of latter-day, high-concept blockbusters might find lulling--Lean doesn'! t pander to attention deficit disorders with an explosion ever! y 15 min utes. Instead, he guides us toward the intersection of the two plots, accruing remarkable character details through extraordinary performances. Hayakawa's cruel camp commander is gradually revealed as a victim of his own sense of honor, Holden's callow opportunist proves heroic without softening his nihilistic edge, and Guinness (who won a Best Actor Oscar, one of the production's seven wins) disappears as only he can into Nicholson's brittle, duty-driven, delusional psychosis. His final glimpse of self-knowledge remains an astonishing moment--story, character, and image coalescing with explosive impact.
Like Lean's Lawrence of Arabia, The Bridge on the River Kwai has been beautifully restored and released in a highly recommended widescreen version that preserves its original aspect ratio. --Sam Sutherland
Stills from The Bridge on the River Kwai (click for larger image)
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Beyond The Bridge on the River Kwai
 The David Lean Collection |  WWII 60th Anniversary Collection |  The True Story of the Bridge on the River Kwai (History Channel) |
The story centers on a Japanese prison camp isolated deep in the jungles of Southeast Asia, where the remorseless Colonel Saito (Sessue Hayakawa) h! as been charged with building a vitally important railway bridge. His clash of wills with a British prisoner, the charismatic Colonel Nicholson (Alec Guinness), escalates into a duel of honor, Nicholson defying his captor's demands to win concessions for his troops. How the two officers reach a compromise, and Nicholson becomes obsessed with building that bridge, provides the story's thematic spine; the parallel movement of a team of commandos dispatched to stop the project, led by a British major (Jack Hawkins) and guided by an American escapee (William Holden), supplies the story's suspense and forward momentum.
Shot on location in Sri Lanka, Kwai moves with a careful, even deliberate pace that survivors of latter-day, high-concept blockbusters might find lulling--Lean doesn't pander to attention deficit disorders with an explosion every 15 minutes. Instead, he guides us toward the intersection of the two plots, accruing remarkable character details through extr! aordinary performances. Hayakawa's cruel camp commander is gra! dually r evealed as a victim of his own sense of honor, Holden's callow opportunist proves heroic without softening his nihilistic edge, and Guinness (who won a Best Actor Oscar, one of the production's seven wins) disappears as only he can into Nicholson's brittle, duty-driven, delusional psychosis. His final glimpse of self-knowledge remains an astonishing moment--story, character, and image coalescing with explosive impact.
Like Lean's Lawrence of Arabia, The Bridge on the River Kwai has been beautifully restored and released in a highly recommended widescreen version that preserves its original aspect ratio. --Sam SutherlandLed in great part by Mitch Miller's recording of "The River Kwai March/Colonel Bogey March," this soundtrack became part of the mass-consciousness of the 1950s and following decades. The infectious and defiant whistling of the British prisoners of war is only one aspect of the film, though, standing alongside a score by Malcolm Arnold t! hat (although winning an Academy Award) became overshadowed by Miller's commercial success. Often wading in folly as much as doom, Arnold views the adversities and will of the POWs in a way akin to Mickey's battle with the brooms in Fantasia. "Shear's Escape" floats in the life-and-death realism of the situation yet seems to find the playfulness and romantic abandon of a walk through a forest. "Overture," in its simultaneously laborious and stirring tones, prefers the stark representation of menace and captivity, orchestral sections battling one another as they search for a means of escape yet, in the end, find they must submit. And standing among it all is K. Alford's "Colonel Bogey March," the whistling tribute to another Disney film score that has always seemed to alleviate even the worst days of drudgery at a cruel job. --James StockstillThe incredible life and times of Hollywood's most iconoclastic producer, the miracle worker who went from penniless ref! ugee to show biz legend, and made possible "The African Queen,! On the Waterfront, The Bridge on the River Kwai" and "Lawrence of Arabia," not to speak of many more, including movies as distinct as "Suddenly, Last Summer; Nicholas and Alexandra; The Last Tycoon; " and "Betrayal; " all of them sharing the unique vision that earned Spiegel twenty-five Oscars: star-filled, bigger-than-life, conceived on a vast scale, intensely dramatic, and overwhelmingly ambitious.
In this rich and brilliant biography, Natasha Fraser-Cavassoni, who had the advantage of knowing and working for Spiegel, brings into sharp focus a Hollywood legend who was at once crafty, unscrupulous, mendacious, and equally capable of great charm and petty meanness, who was sentimental and ruthless, a shrewd judge of talent, a gambler on a colossal scale, a man of almost unique artistic vision and courage who was, in the final analysis, that most elusive and rare of movie producers, a genius.
The story of a how a Jewish refugee without a penny to his name managed to produce seve! ral of the greatest films of all time is alone worth telling, but Natasha Fraser-Cavassoni has done more; she has drawn the definitive portrait of the man himself -- the elusive, witty, cynical adventurer who, like so many refugees, was able to live, succeed, and raise money everywhere, but who was at home nowhere. Spiegel surrounded himself with luxury and beautiful women but remained a loner despite his countless friends.
Spiegel was mysterious about his origins, prompting Arthur Miller to refer to him as "The GreatGatsby." In reality, he was born of middle-class Jewish parents in the last years of the Austro-Hungarian Empire. Raised in Jaroslav, in western Galicia, Spiegel left home in his late teens and quickly became a hero of the Hashomer Hatzair, a Zionist youth movement.
Step by step, with immense research and a vast number of interviews, Natasha Fraser-Cavassoni recreates the world of Sam Spiegel's childhood and youth, separating often self-serving fiction from! fact. She follows Spiegel's dramatic flight from the Nazis in! Berlin, a prison sentence in London, problems with the police in Paris and Mexico City, and finally his arrival in Los Angeles. In America his career languished for a time, though he acquired a reputation for being a supreme "fixer," a brilliant luftmensh on the fringes of Hollywood power, the ultimate party-giver who knew everybody's secrets and was always quick to charm women and take advantage of men. Billy Wilder called him "a modern day Robin Hood, who steals from the rich and steals from the poor."
With a brilliant sense of time and place and a deep understanding of Spiegel's complex personality, Fraser-Cavassoni traces his disasters, successes, romances, friendships, and tangled finances in a narrative that is rich with colorful Spiegel stories, scandals, and bon mots.
The cast of characters in Spiegel's life includes Lauren Bacall, Humphrey Bogart, Marlon Brando, Montgomery Clift, Robert De Niro, Barry Diller, David Geffen, Katharine Hepburn, John Huston, Elia Kazan, Da! vid Lean, Joseph L. Mankiewicz, Mike Nichols, Harold Pinter, Otto Preminger, Elizabeth Taylor, Gore Vidal, Orson Welles, Billy Wilder, Darryl F. Zanuck, bevies of beautiful women, three wives, countless members of high society, and, most important, Sam Spiegel himself -- the last of the great independent film producers who, in the swashbuckling tradition of David O. Selznick and Sam Goldwyn, operated alone, aimed high, and believed, above all, in their own star.
More than a major book about the movie business, "Sam Spiegel" is an intricate and engrossing biography, comparable in its richness, depth, and attention to detail to A. Scott Berg's acclaimed biography of Samuel Goldwyn. It is a marvelous, once-in-a-lifetime reading experience and an astonishing debut for Natasha Fraser-Cavassoni.
Prior to this meticulously researched biography, legendary producer Sam Spiegel had loomed large in countless Hollywood memoirs, but was rarely the subject of close examination. Prais! eworthy for negotiating a maze of apocryphal stories and unver! ified de tails, Sam Spiegel solves many of the mysteries resulting from the falsehoods of "Spiegelese," for the renowned producer--whose crowning achievements included The Bridge on the River Kwai and Lawrence of Arabia--was perhaps the most inventive liar to gain prominence in Hollywood. With a refreshing absence of judgment, this unflinching study portrays Spiegel as a consummate manipulator, hedonist, philanderer, absentee father, sexaholic (a foot fetishist who favored young girls well into his '70s), and globetrotting entertainer of the social elite, "incapable of guilt" and so charming that he could achieve miracles (and numerous faked heart attacks, to disarm his detractors) while producing some of the greatest films of Hollywood's post-Golden era.
As a first-time biographer, Natasha Fraser-Cavassoni (a French journalist who worked as an assistant on Spiegel's final film, 1983's Betrayal) fails to plumb the depths of Spiegel's enigmatic charac! ter (so effectively hidden behind his luxurious lifestyle), offering little insight into Spiegel's unique combination of intellect and roguish insincerity. She compensates with a journalist's greatest assets: exacting research and seemingly limitless access to Spiegel's surviving contemporaries, from the late Billy Wilder to On the Waterfront director Elia Kazan and many, many others. The result is a fair and balanced portrait of one of Hollywood's classiest scoundrels, a master thief with impeccable taste and an uncanny instinct for cinematic prestige. --Jeff ShannonAt Moviestore we have an incredible library of celebrity photography covering movies, TV, music, sport and celebrity. Our exclusive photographs are professionally produced by our in-house team; we perfect bright vibrant colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original nega! tives and slides held in our vast library. We have been in bus! iness fo r 16 years so you can buy with confidence. Our guarantee: if you are not fully satisfied with any print from Moviestore we will gladly refund your money!
Bed of Roses/Pump up the Volume
- Bed Of Roses Love blossoms as a romantic Christian Slater sweeps Mart Stuart Masterson, a high-powered investment banker, into a passionate affair. But when his fairy-tale fantasies clash with her workaholic tendencies, will love conquer all? Pump Up The Volume Christian Slater is a shy new kid on the block by day - and an outrageous rebel with a cause on the radio by night. This witty celebr
Doomsday (Unrated Full Screen Edition)
- UNRATED. Includes R-Rated Theatrical Version too.
- Anatomy of Catastrophe: Civilization on the Brink - a "making of" featurette
- The Visual Effects and Wizardry of Doomsday - meet the visual effects wizards
- Devices of Death: Guns, Gadgets and Vehicles of Destruction
- Feature commentary with director Neil Marshall and cast members Sean Pertwee, Darren Morfitt, Rick Warden and Les Simpson (offered on Unrated Feature only)
Beyond Doomsday on DVD
 More from Universal Studios |  Doomsday on Blu-ray |  More from Director Neil Marshall |
Stills from Doomsday (Click for larger image)
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Beyond Doomsday on DVD
 More from Universal Studios |  Doomsday on Blu-ray | More from Director Neil Marshall |
Stills from Doomsday (Click for larger image)
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Beyond Doomsday on DVD
| More from Universal Studios | Doomsday on Blu-ray | More from Director Neil Marshall |
Stills from Doomsday (Click for larger image)
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