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Set in the 1930s at the Cold Mountain Penitentiary's death-row facility,
The Green Mile is the riveting and tragic story of John Coffey, a giant, preternaturally gentle inmate condemned to death for the rape and murder of twin nine-year-old girls. It is a story narrated years later by Paul Edgecomb, the ward superintendent compelled to help every prisoner spend his last d! ays peacefully and every man walk the green mile to execution with his humanity intact.
Edgecomb has sent seventy-eight inmates to their date with "old sparky," but he's never encountered one like Coffey -- a man who wants to die, yet has the power to heal. And in this place of ultimate retribution, Edgecomb discovers the terrible truth about Coffey's gift, a truth that challenges his most cherished beliefs -- and ours.
Originally published in 1996 in six self-contained monthly installments, The Green Mile is an astonishingly rich and complex novel that delivers over and over again. Each individual volume became a huge success when first published, and all six were on the New York Times bestseller list simultaneously. Three years later, when Frank Darabont made The Green Mile into an award-winning movie starring Tom Hanks and Michael Clarke Duncan, the book returned to the bestseller list -- and stayed there for months.
And now -- with a new! introduction by King's foreign agent Ralph Vicinanza, as well! as the author's own foreword -- we have the first hardcover edition of this magnificent novel in which "King surpasses our expectations, leaves us spellbound and hungry for the next twist of plot" (The Boston Globe).
With illustrations and a new frontispiece for this edition by Mark Geyer.When Stephen King originally wrote The Green Mile as a series of six novellas, he didn't even know how the story would turn out. And it turned out to be of his finest yarns, tapping into what he does best: character-driven storytelling. The setting is the small "death house" of a Southern prison in 1932. The Green Mile is the hall with a floor "the color of tired old limes" that leads to "Old Sparky" (the electric chair). The charming narrator is an old man, a prison guard, looking back on the events decades later.
Maybe it's a little too cute (there's a smart prison mouse named Mr. Jingles), maybe the pathos is laid on a little thick, but it's hard to resist the ! colorful personalities and simple wonders of this supernatural tale. And it's not a bad choice for giving to someone who doesn't understand the appeal of Stephen King, because the one scene that is out-and-out gruesome (it involves "Old Sparky") can be easily skipped by the squeamish.
The Green Mile won a 1997 Bram Stoker Award for Best Novel; and Tom Hanks stars in a film of the novel by Frank Darabont, the director of The Shawshank Redemption (from King's collection Different Seasons). --Fiona WebsterSet in the 1930s at the Cold Mountain Penitentiary's death-row facility, The Green Mile is the riveting and tragic story of John Coffey, a giant, preternaturally gentle inmate condemned to death for the rape and murder of twin nine-year-old girls. It is a story narrated years later by Paul Edgecomb, the ward superintendent compelled to help every prisoner spend his last days peacefully and every man walk the green mile to exec! ution with his humanity intact.
Edgecomb has sent seventy-! eight in mates to their date with "old sparky," but he's never encountered one like Coffey -- a man who wants to die, yet has the power to heal. And in this place of ultimate retribution, Edgecomb discovers the terrible truth about Coffey's gift, a truth that challenges his most cherished beliefs -- and ours.
Originally published in 1996 in six self-contained monthly installments, The Green Mile is an astonishingly rich and complex novel that delivers over and over again. Each individual volume became a huge success when first published, and all six were on the New York Times bestseller list simultaneously. Three years later, when Frank Darabont made The Green Mile into an award-winning movie starring Tom Hanks and Michael Clarke Duncan, the book returned to the bestseller list -- and stayed there for months.
And now -- with a new introduction by King's foreign agent Ralph Vicinanza, as well as the author's own foreword -- we have the first hardcover edit! ion of this magnificent novel in which "King surpasses our expectations, leaves us spellbound and hungry for the next twist of plot" (The Boston Globe).
With illustrations and a new frontispiece for this edition by Mark Geyer.This novel taps into what Stephen King does best: character-driven storytelling. The setting is the small "death house" of a Southern prison in 1932. The charming narrator is an old man looking back on the events, decades later. Maybe it's a little too cute, maybe the pathos is laid on a little thick, but it's hard to resist the colorful personalities and simple wonders of this supernatural tale. As Time magazine put it, "Like the best popular art, The Green Mile has the courage of its cornier convictions ... the palpable sense of King's sheer, unwavering belief in his tale is what makes the novel work as well as it finally does." And it's not a bad choice for giving to someone who doesn't understand the appeal of St! ephen King, because the one scene that is out-and-out gruesom! e can be easily skipped by the squeamish. The Green Mile was nominated for a 1997 Bram Stoker Award.Set in the 1930s at the Cold Mountain Penitentiary's death-row facility, The Green Mile is the riveting and tragic story of John Coffey, a giant, preternaturally gentle inmate condemned to death for the rape and murder of twin nine-year-old girls. It is a story narrated years later by Paul Edgecomb, the ward superintendent compelled to help every prisoner spend his last days peacefully and every man walk the green mile to execution with his humanity intact.
Edgecomb has sent seventy-eight inmates to their date with "old sparky," but he's never encountered one like Coffey -- a man who wants to die, yet has the power to heal. And in this place of ultimate retribution, Edgecomb discovers the terrible truth about Coffey's gift, a truth that challenges his most cherished beliefs -- and ours.
Originally published in 1996 in six self-contained monthly installments, The Green Mile is an astonishingly rich and complex novel that delivers over and over again. Each individual volume became a huge success when first published, and all six were on the New York Times bestseller list simultaneously. Three years later, when Frank Darabont made The Green Mile into an award-winning movie starring Tom Hanks and Michael Clarke Duncan, the book returned to the bestseller list -- and stayed there for months. And now -- with a new introduction by King's foreign agent Ralph Vicinanza, as well as the author's own foreword -- we have the first hardcover edition of this magnificent novel in which "King surpasses our expectations, leaves us spellbound and hungry for the next twist of plot" (The Boston Globe).
With illustrations and a new frontispiece for this edition by Mark Geyer."The book was better" has been the complaint of many a reader since the invention of movies. Frank Darabont's second adaptation of a Stephen K! ing prison drama (The Shawshank Redemption was the firs! t) is a very faithful adaptation of King's serial novel. In the middle of the Depression, Paul Edgecomb (Tom Hanks) runs death row at Cold Mountain Penitentiary. Into this dreary world walks a mammoth prisoner, John Coffey (Michael Duncan) who, very slowly, reveals a special gift that will change the men working and dying (in the electric chair, masterfully and grippingly staged) on the mile . As with King's book, Darabont takes plenty of time to show us Edgecomb's world before delving into John Coffey's mystery. With Darabont's superior storytelling abilities, his touch for perfect casting, and a leisurely 188-minute running time, his movie brings to life nearly every character and scene from the novel. Darabont even improves the novel's two endings, creating a more emotionally satisfying experience. The running time may try patience, but those who want a story, as opposed to quick-fix entertainment, will be rewarded by this finely tailored tale. --Doug Thomas"The book was! better" has been the complaint of many a reader since the invention of movies. Frank Darabont's second adaptation of a Stephen King prison drama (The Shawshank Redemption was the first) is a very faithful adaptation of King's serial novel. In the middle of the Depression, Paul Edgecomb (Tom Hanks) runs death row at Cold Mountain Penitentiary. Into this dreary world walks a mammoth prisoner, John Coffey (Michael Duncan) who, very slowly, reveals a special gift that will change the men working and dying (in the electric chair, masterfully and grippingly staged) on the mile . As with King's book, Darabont takes plenty of time to show us Edgecomb's world before delving into John Coffey's mystery. With Darabont's superior storytelling abilities, his touch for perfect casting, and a leisurely 188-minute running time, his movie brings to life nearly every character and scene from the novel. Darabont even improves the novel's two endings, creating a more emotionally sati! sfying experience. The running time may try patience, but thos! e who wa nt a story, as opposed to quick-fix entertainment, will be rewarded by this finely tailored tale. --Doug ThomasThe greatest soundtrack composers have historically performed a musical tightrope act, being called upon to be stylistically inventive yet invitingly familiar, emotionally compelling without being cloying. In modern times, few have risen to the challenge like Thomas Newman. His score for Frank Darabont's adaptation of Stephen King's miraculous death row fable is an organic masterpiece, whether Newman is wringing dramatic fury from his orchestra's rhythm and percussion or, as is more often the case here, delicately shading the proceedings with a palette of sounds distinctly his own. Though seasoned with a pinch of period pop and folk music to underscore the film's period and locale, it's Newman's spare, creative soundscapes that become the film's subtle, emotional core. The composer may have grown up in a family (Hollywood's legendary Newman clan) steeped in d! aunting film-music history, but Newman has gratifyingly created a body of work whose attention to shade and nuance--and their crucial spiritual connections--seem more influenced by Bernard Herrmann, and that's not bad company, either. --Jerry McCulley Attwood presents the most energy efficient LED navigational lights in the world. Through the use of proprietary optical design techniques, we've optimized our lens design to harness nearly 90% of all light being generated by the LED. In doing so, our line of 3500 and 5500 series navigational lights exceed US coast guard requirements with the fewest and lowest watt LEDs of any navigational light manufactured today. Less energy used by navigational lighting means more energy available for powering your boat and enjoying time on the water.
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