- The Star Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) Style A
- The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
- Mini Posters are ideal for customizing small spaces; Same exact image as a full size poster at half the cost
- Size is provided by the manufacturer and may not be exact
- Packaged with care and shipped in sturdy reinforced packing material
The Inventive Peasant Arnaud du Tilh had almost persuaded the learned judges at the Parlement of Toulouse, when on a summer's day in 1560 a man swaggered into the court on a wooden leg, denounced Arnaud, and reestablished his claim to the identity, property, and wife of Martin Guerre. The astonishing case captured the imagination of the Continent. Told and retold over the centuries, the story of Martin Guerre became a legend, still remembered in the Pyrenea! n village where the impostor was executed more than 400 years ago.
Now a noted historian, who served as consultant for a new French film on Martin Guerre, has searched archives and lawbooks to add new dimensions to a tale already abundant in mysteries: we are led to ponder how a common man could become an impostor in the sixteenth century, why Bertrande de Rols, an honorable peasant woman, would accept such a man as her husband, and why lawyers, poets, and men of letters like Montaigne became so fascinated with the episode.
Natalie Zemon Davis reconstructs the lives of ordinary people, in a sparkling way that reveals the hidden attachments and sensibilities of nonliterate sixteenth-century villagers. Here we see men and women trying to fashion their identities within a world of traditional ideas about property and family and of changing ideas about religion. We learn what happens when common people get involved in the workings of the criminal courts in t! he ancien régime, and how judges struggle to decide wh! o a man was in the days before fingerprints and photographs. We sense the secret affinity between the eloquent men of law and the honey-tongued village impostor, a rare identification across class lines.
Deftly written to please both the general public and specialists, The Return of Martin Guerre will interest those who want to know more about ordinary families and especially women of the past, and about the creation of literary legends. It is also a remarkable psychological narrative about where self-fashioning stops and lying begins.
The pathbreaking work of renowned historian Natalie Zemon Davis has added profoundly to our understanding of early modern society and culture. She rescues men and women from oblivion using her unique combination of rich imagination, keen intelligence, and archival sleuthing to uncover the past. Davis brings to life a dazzling cast of extraordinary people, revealing their thoughts, emotions, and choices in the world in which they ! lived. Thanks to Davis we can meet the impostor Arnaud du Tilh in her classic, The Return of Martin Guerre, follow three remarkable lives in Women on the Margins, and journey alongside a traveler and scholar in Trickster Travels as he moves between the Muslim and Christian worlds.The pathbreaking work of renowned historian Natalie Zemon Davis has added profoundly to our understanding of early modern society and culture. She rescues men and women from oblivion using her unique combination of rich imagination, keen intelligence, and archival sleuthing to uncover the past. Davis brings to life a dazzling cast of extraordinary people, revealing their thoughts, emotions, and choices in the world in which they lived. Thanks to Davis we can meet the impostor Arnaud du Tilh in her classic, The Return of Martin Guerre, follow three remarkable lives in Women on the Margins, and journey alongside a traveler and scholar in Trickster Travels as he moves between the Muslim and Christian ! worlds.Sometimes she's too big. Or much too small. Sometimes t! hings ar e backwards. And there's always too much pepper in the soup! Nothing is quite right since Alice chased a very unusual White Rabbit and stumbled into an adventure that grows curiouser and curiouser.
One of the greatest childhood fantasies ever is captured in Irwin Allen's colorful, all-star production adapted from Lewis Carroll's Alice's Adventures in Wonderland. Steve Allen wrote the jolly, witty songs and more than a dozen Hollywood stars join in the wondrous fun. Alice is looking for a way home. And happy to be welcomed into yours.The king of 1970s disaster movies, producer Irwin Allen, brought together novelist Paul Zindel, songwriter Steve Allen, and a host of celebrities for a pair of 1985 TV movies paying homage to Lewis Carroll's
Alice. In this first installment, the 7-year-old girl dreams of being grown up enough to join the adults for tea, only to shrink to miniature size, climb through a hole beneath the door, and follow a twitchy Red Buttons i! n big white rabbit ears. Whether arguing with the Mad Hatter (Anthony Newley), or trying to keep her head in the company of the Queen of Hearts (Jayne Meadows), Alice is constantly running into a host of '70s and '80s personalities like Telly Savalas, Ringo Starr, Scott Baio, and Shelley Winters. If this roster isn't enough to make a poor girl trippy, she also meets up with Sammy Davis Jr. as the caterpillar, and the pair perform an entertaining hip-hop-esque tap number to "Father William." An enjoyably campy version of Alice's wondrous journey, it features detailed sets, marvelously tacky costumes, and mildly clever musical numbers. This 90-minute TV movie's pleasant goofiness will amuse children 4 and older as well as nostalgically minded adults. The TV movie has been broken into two parts on video with
Alice Through the Looking Glass picking up where this one leaves off.
--Kimberly Heinrichs With the visually dazzling efforts of his "Red Curtai! n" film trilogy behind him (
Strictly Ballroom,
Romeo! + Julie t,
Moulin Rouge), director Baz Luhrmann set his sights on Broadway and a reworking of his triumphant, career-forging 1990 Australian Opera production of Giacomo Puccini's evergreen tearjerker,
La Boheme. With it now set in 1957, six young voices alternate in bringing the tale of the doomed love affair between the seamstress Mimi (Lisa Hopkins, Wei Huang, Ekaterina Solovyeva) and the writer Rodolfo (Alfred Boe, Jesus Garcia, David Miller) to life in its original Italian on this cast album. Other than using the vocal dream-team gambit, Luhrmann has played Puccini's music surprisingly straight in this production, a sharp contrast to the dizzying musical cut-and-paste of
Moulin or his tellingly titled pop album,
Something for Everybody. It's a wise tack, and wholly in step with the director's stated goal of emphasizing the story's timeless drama while keeping the operatic masterpiece true to itself for a new audience. The staging may showcase Luhr! mann's dazzling production, but the music here is still pure Puccini.
--Jerry McCulley"[A] fascinating tale of a man forced . . . to live between incompatible worlds. Highly recommended." --Library Journal
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Al-Hasan al-Wazzan--born in Granada to a Muslim family that in 1492 went to Morocco--became famous as the great Renaissance writer Leo Africanus, author of the first geography of Africa to be published in Europe (in 1550). He had been captured by Christian pirates in the Mediterranean and imprisoned by the pope; when he was released and baptized, he lived a European life of scholarship as the Christian writer Giovanni Leone; by 1527, it is likely that he returned to North Africa and to the language, culture, and faith in which he had been raised. Natalie Zemon Davis offers a virtuoso study of the fragmentary, partial, and often contradictory traces that al-Hasan al-Wazzan left behind him, a! nd a superb interpretation of his extraordinary life and work.!
The Star Poster (11 x 17 Inches - 28cm x 44cm) (1953) Style A reproduction poster print
CAST: Bette Davis, Sterling Hayden, Natalie Wood, Warner Anderson, Minor Watson; DIRECTED BY: Stuart Heisler; PRODUCER: Bert E. Friedlob;
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