Thursday, September 8, 2011

Yemaindi Ee Vela Poster Movie Indian 11 x 17 Inches - 28cm x 44cm Varun Sandesh Nisha Agarwal Jhansi Vennela Kishore Pragathi Krishna Bhagavan M.S. Narayana

  • 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • Please enlarge the image in the listing before purchasing - The Amazon image in this listing is a digital scan of the poster that you will receive
  • Yemaindi Ee Vela Indian Style A Poster
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Yemaindi Ee Vela Reproduction Poster Print Indian Style A 11 x 17 Inches - 28cm x 44cm

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No Description Available.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 2-SEP-2003
Media Type: DVDIf you're a lifetime member of the Jennifer Connelly fan club, you'll be in the passionate minority of people (100% male) who won't care that this 1991 comedy is wallowing in its own oily puddle of lameness. The gorgeous Ms. Connelly is conspicuously put on display in this typically lightweight fluff from writer-producer John Hughes. Frank Whaley does his best to liven up the male-fantasy plot about a semi-nerdy teen who gets a night-watchman job in a variety store, only to find himself locked in overnight with the local knockout (Connelly), who's as rich as she is beautiful. She's also really unhappy with her ho! me life and her bully boyfriend (Dermot Mulroney), so it's Frank's big opportunity to make his move as a sympathetic Romeo. Shallow and contrived, the movie does have its standard moments of John Hughes delicacy, and a cameo by the late John Candy scores bonus points for comedy. Still, it's clear that the movie exists primarily to satisfy adolescent lust--and with Connelly as the object of desire, this otherwise tiresome comedy is a triumph of wish-fulfillment casting. --Jeff Shannon

Volver

  • Condition: New
  • Format: DVD
  • AC-3; Closed-captioned; Color; Dolby; DVD; Subtitled; Widescreen; NTSC
Handsome womanizer C?esar is disfigured in a car wreck, and as he attempts to pick up the pieces of his life, bizarre situations and events seem to occur as a result of his accident.
Genre: Foreign Film - Spanish/misc SA
Rating: R
Release Date: 18-DEC-2001
Media Type: DVDImagine if an actor's director like Eric Rohmer--whose films consist almost entirely of conversation between pairs or small groups of people--made a film that incorporated elements from movies like Dark City, eXistenZ, The Thirteenth Floor, The Truman Show, and Total Recall. The result might resemble Alejandro Amenabar's remarkable second feature, Open Your Eyes, which favors ideas over effects and offers twist upon twist with mind! -warping agility. This film rewards multiple viewings, pushing the viewer toward one perception of reality, then switching to another until reality itself is called into question. Melodrama, love story, and psychological thriller combine with a dash of science fiction, forming a plot that is both disorienting and deceptively precise.

Set in Madrid, the story defies description, but this much can be revealed: young, handsome Cesar (Eduardo Noriega) is vain, rich, charming, and--following a botched suicide-murder scheme by a jilted lover--horribly disfigured. He'd fallen in love with Sofia (Penélope Cruz) but is now an embittered husk of his former self, stuck in a "psychiatric penitentiary" on a murder charge and hiding behind an expressionless mask. His reality has crumbled, but as the film's agenda is gradually revealed, we realize that there are other factors in play. Exposing that agenda would be a criminal offense against those who haven't seen the film; suffice it! to say that Open Your Eyes takes you into the twilight! zone an d beyond, and does so cleverly enough to prompt Tom Cruise to produce and star in an English-language remake, Vanilla Sky. The 2001 remake, directed by Cameron Crowe, costars Cameron Diaz and Penélope Cruz, who reprises her original role. --Jeff ShannonVOLVER - DVD MovieSpanish for "Coming Back," Volver is a return to the all-female format of All About My Mother. Unlike Pedro Almodóvar's previous two pictures, the story revolves around a group of women in Madrid and his native La Mancha. (The cast received a collective best actress award at Cannes.) Raimunda (a zaftig Penélope Cruz) is the engine powering this heartfelt, yet humorous vehicle. When husband Paco (Antonio de la Torre) is murdered, Raimunda makes like Mildred Pierce to deflect attention away from daughter Paula (Yohana Cobo). After telling everyone the lout has left, she struggles to conceal his body. The other women in her life all have secrets of their own. Her sister, Sole (Lola! Dueñas), for instance, has taken in their mother, Irene (a sprightly Carmen Maura). Since Irene perished in a fire, is this person a ghost or simply a woman who looks like her? Then there's their childhood friend, Agustina (Blanca Portillo), who is desperate to find out why her mother disappeared after the blaze. Was she responsible? Almodóvar deftly blends the ghost story with the murder mystery in his tribute to the Italian neo-realist films of the 1950s. The resilient Raimunda is a throwback to the earthy heroines of Sophia Loren and Anna Magnani. The latter appears in Luchino Visconti's Bellissima, which shows up on Sole's television one night (thus confirming the link). If Almodóvar’s 16th feature lacks the emotional punch of the more audacious Talk to Her, it's less heavy-handed than Bad Education and Cruz is a revelation. --Kathleen C. Fennessy

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