Tuesday, May 22, 2012

Dogtown & Z-Boys Film - Extreme Skateboard 11x17 Poster

  • 11x17 INCHES
This award-winning, thrilling movie tells the true story of a group of discarded kids who revolutionized skaeboarding and shaped the attitude and culture of modern-day extreme sperts. Featuring old school skating footage, exclusive interviews, and a blis
In the early 1970s, a group of young surfers from a tough neighborhood south of Santa Monica took up skateboards and offhandedly changed the world. At least it appears so after watching Dogtown and Z-Boys, a documentary about how twelve "Z-Boys" (including one girl) resuscitated a dead sport and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon, namely high-flying "vert" (i.e. vertical) skateboarding and punk rock abandon. Director Stacy Peralta, one of the original Z-Boys, and Craig Steyck, the photographer whose publicity first made them ! famous, would have you believe that with empty pools as their springboard, the clan single-handedly carved a niche that grew into what is now referred to as "extreme sports" (snowboarding seems particularly implicated). Degrees of accuracy aside, the hoard of original footage Peralta and Steyck have access to makes for an engaging portrait of "accidental revolutionaries" whose mythology as expressed by themselves (all but one of the original crew give extensive interviews) and those they influenced (including Henry Rollins, Jeff Ament of Pearl Jam, and Sean Penn, who narrates) is far more entertaining than any evenhanded version could ever hope to be. --Fionn Meade
In the early 1970s, the sport of skateboarding had so waned from its popularity in the 1960s that it was virtually non-existent. In the Dogtown area of west Los Angeles, a group of young surfers known as the Zephyr Team (Z-Boys) was experimenting with new and radical ! moves and styles in the water which they translated to the str! eet. Whe n competition skateboarding returned in 1975, the Z-Boys turned the skating world on its head. . Dogtown The Legend of the Z-Boys is a truly fascinating case study of just how an underground sport ascended on the world. These are the stories and images of a time that not only inspired a generation but changed the face of sport forever. The Legend of the Z-Boys has been described as "The Dogtown text book" and an insightful companion piece to the movie: "DogTown and Z-Boys". . Spanning 1975 â€" 1985, the first section of the 240 page book includes the best of the "DogTown" articles written by C.R. Stecyk III as they originally appeared in SkateBoarder Magazine. The second half compiles 100’s of never before seen skate images from the archive of Glen E. Friedman - many of which appear in the movie. Both Stecyk and Friedman acted as executive producers and advisors for the award winning film, Dogtown and Z-Boys to be released nationwide simultaneously by Sony Picture Classics! in April 2002.
In the early 1970s, a group of young surfers from a tough neighborhood south of Santa Monica took up skateboards and offhandedly changed the world. At least it appears so after watching Dogtown and Z-Boys, a documentary about how twelve "Z-Boys" (including one girl) resuscitated a dead sport and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon, namely high-flying "vert" (i.e. vertical) skateboarding and punk rock abandon. Director Stacy Peralta, one of the original Z-Boys, and Craig Steyck, the photographer whose publicity first made them famous, would have you believe that with empty pools as their springboard, the clan single-handedly carved a niche that grew into what is now referred to as "extreme sports" (snowboarding seems particularly implicated). Degrees of accuracy aside, the hoard of original footage Peralta and Steyck have access to makes for an engaging por! trait of "accidental revolutionaries" whose mythology as expre! ssed by themselves (all but one of the original crew give extensive interviews) and those they influenced (including Henry Rollins, Jeff Ament of Pearl Jam, and Sean Penn, who narrates) is far more entertaining than any evenhanded version could ever hope to be. --Fionn Meade

Thursday, May 3, 2012

Chicken Little

  • Experience a fantastic world of breathtaking action in Disney's hilarious new movie CHICKEN LITTLE. It's "the perfect family film," raves Scott Mantz of Access Hollywood. When the sky really is falling and sanity has flown the coop, who will rise to save the day? Together with his hysterical band of misfit friends, Chicken Little must hatch a plan to save the planet from alien invasion and
2005 hit animated feature stars the voices of Zach Braff, Joan Cusack, Garry Marshall. Special bonus features include deleted scenes, a making-of, trivia game, music video, karaoke sing-along, Barenaked Ladies music video.A classic fable gets fused with War of the Worlds in Disney's Chicken Little. In the small town of Oakey Oaks, young Chicken Little (voiced by Zach Braff, Garden State) struggles to live down the embarrassment of having once thought the sky was falling. But when he ! gets struck again by a hexagonal, sky-camouflaged, hi-tech doohickey, he and his friends Ugly Duckling (Joan Cusack, School of Rock), Runt of the Litter (Steve Zahn, Sahara), and Fish Out of Water discover that aliens are preparing to invade Earth--but since no one believed Chicken Little the first time, why would they believe him now? Though kids will enjoy the bright whizz-bang action sequences of Chicken Little, discerning parents will find the movie tedious. Technically, it has the computer animation quality of Pixar--but with none of their intelligence, heart, or simple storytelling skill. The basic idea of connecting the fable to aliens is amusing, but the script routinely bogs down in clumsy father-son issues that seem like material edited out of Finding Nemo. The jokes rarely have anything to do with the characters, but are mostly pop-culture references that are sadly out of date. The action sequences were obviously created with the inevi! table video game in mind, for which the movie is little more t! han an a dvertisement. Chicken Little falls flat. --Bret Fetzer

Monday, April 16, 2012

Cemetery Junction Movie Poster (11 x 17 Inches - 28cm x 44cm) (2010) UK Style B -(Tom Hughes)(Ricky Gervais)(Christian Cooke)(Ralph Fiennes)(Matthew Goode)(Jack Doolan)

  • Cemetery Junction Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) UK Style B
  • The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
  • Mini Posters are ideal for customizing small spaces; Same exact image as a full size poster at half the cost
  • Size is provided by the manufacturer and may not be exact
  • Packaged with care and shipped in sturdy reinforced packing material
Cemetery Junction tells the funny, touching and universal story of being trapped in a small town and dreaming of escape. In 1970s England, three blue-collar friends spend their days joking, drinking, fighting and chasing girls. Freddie (Christian Cooke) wants to leave their working-class world but cool, charismatic Bruce (Tom Hughes) and loveable loser Snork (Jack Doolan) are happy with life the way it is. When Freddie gets a new job as a door-to-doo! r salesman and bumps into his old school sweetheart Julie (Felicity Jones), the gang are forced to make choices that will change their lives forever.Ricky Gervais and Stephen Merchant, the duo behind the BBC's Office, travel back to 1973 for this serio-comic coming-of-age story. Inspired by Gervais's Reading hometown, Cemetery Junction is the type of small-minded burg Freddie Taylor (Christian Cooke, likable and attractive) longs to escape. Fortunately, he receives a job offer from Mr. Kendrick (a smarmy Ralph Fiennes), leading to a gig selling life insurance. His best mates, the goofy Snork (Jack Doolan) and rebellious Bruce (Tom Hughes, the film's true star), can't imagine anything more dull, but Freddie, who wants to travel the world, sees it as his way out. Kendrick pairs Freddie with Mike (Matthew Goode, great value), who proves that the nice-guy approach loses sales (Emily Watson shines as Kendrick's browbeaten wife). While Freddie pines for the boss's daughter! (and Mike's fiancée), Julie (Felicity Jones), Bruce works wi! th Fredd ie's father, Len (Gervais), in a factory, and tangles with the law (refreshingly, the local sergeant has a sympathetic side). If things end as one might expect, that doesn't make Cemetery Junction any less enjoyable, but it does help to explain why it didn't receive a U.S. theatrical release. By focusing on a young Brit anxious to find his place in the world, the directors provide a companion piece to pictures like Starter for 10 and An Education. Familiar or not, it's still superior to most mainstream comedies… including a few with which Gervais has been involved. A soundtrack filled with energizing glam-rock classics further elevates their efforts. --Kathleen C. FennessyCemetery Junction tells the funny, touching and universal story of being trapped in a small town and dreaming of escape. In 1970s England, three blue-collar friends spend their days joking, drinking, fighting and chasing girls. Freddie (Christian Cooke) wants to leave their wor! king-class world but cool, charismatic Bruce (Tom Hughes) and loveable loser Snork (Jack Doolan) are happy with life the way it is. When Freddie gets a new job as a door-to-door salesman and bumps into his old school sweetheart Julie (Felicity Jones), the gang are forced to make choices that will change their lives forever.Ricky Gervais and Stephen Merchant, the duo behind the BBC's Office, travel back to 1973 for this serio-comic coming-of-age story. Inspired by Gervais's Reading hometown, Cemetery Junction is the type of small-minded burg Freddie Taylor (Christian Cooke, likable and attractive) longs to escape. Fortunately, he receives a job offer from Mr. Kendrick (a smarmy Ralph Fiennes), leading to a gig selling life insurance. His best mates, the goofy Snork (Jack Doolan) and rebellious Bruce (Tom Hughes, the film's true star), can't imagine anything more dull, but Freddie, who wants to travel the world, sees it as his way out. Kendrick pairs Freddie with Mike ! (Matthew Goode, great value), who proves that the nice-guy app! roach lo ses sales (Emily Watson shines as Kendrick's browbeaten wife). While Freddie pines for the boss's daughter (and Mike's fiancée), Julie (Felicity Jones), Bruce works with Freddie's father, Len (Gervais), in a factory, and tangles with the law (refreshingly, the local sergeant has a sympathetic side). If things end as one might expect, that doesn't make Cemetery Junction any less enjoyable, but it does help to explain why it didn't receive a U.S. theatrical release. By focusing on a young Brit anxious to find his place in the world, the directors provide a companion piece to pictures like Starter for 10 and An Education. Familiar or not, it's still superior to most mainstream comedies… including a few with which Gervais has been involved. A soundtrack filled with energizing glam-rock classics further elevates their efforts. --Kathleen C. FennessyThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange ! characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.Cemetery Junction Poster (11 x 17 Inches - 28cm x 44cm) (2010) UK Style B reproduction poster print

CAST: Tom Hughes,Ricky Gervais,Christian Cooke,Ralph Fiennes,Matthew Goode,Jack Doolan,Steve Speirs,Jessica Jones,Madeleine Dunbar,Andrew Brooke,Burn Gorman,Anne Reid,Julia Davis,Albert Welling,Katy Murphy; DIRECTED BY: Ricky Gervais,Stephen Merchant;

Monday, March 26, 2012

Funny Ha Ha

  • FUNNY HA HA (DVD MOVIE)
Studio: Genius Products Inc Release Date: 06/19/2007 Run time: 88 minutes Rating: Nr

Tuesday, March 13, 2012

17-DVD Complete American Sign Language DVD Set Including Teacher's DVD & Workbook - NEW

  • Excellent for everyone learning and teaching American Sign Language
  • Over hundreds of words, sentences, idioms and grammar lessons
  • Learn from three ASL professors
  • Bonus chapters
  • Number 1 Sign Language educational program in the World

{Directed by Oscar winner Vanessa Roth}
{Inspired by the New York Times bestseller "Teachers Have It Easy"}
{Produced by Best-Selling Author Dave Eggers ("A Heartbreaking Work of Staggering Genius").}
{Endorsed by Teacher's Unions representing millions of teachers.}
{Seen as the answer to "Waiting for Superman" and "The Lottery".}
{Opened in theatres with an $8000+ per screen average in first week and rave reviews.}
{Microsoft's Partners in Learning has launched a community screening tour in more than 400 cities and towns across the country.}

As the debate over America's pu! blic schools rages on, the one thing everyone agrees on is the need for great teachers. Yet while research has shown that teachers are the most important in-school factor in a child's success, America's educators are so underpaid that almost two-thirds must work a second job in order to make a living.

Chronicling the stories of four teachers in different areas of the country, American Teacher reveals the frustrating realities of today's teachers, the difficulty of attracting talented new educators, and why so many of our best teachers leave the profession altogether. Can we re-value teaching and turn it into a prestigious, financially attractive and desirable profession? With almost half of American teachers leaving the field in the next ten years, now is the time to find out.

From the Academy Award-winning Director of An Inconvenient Truth comes the groundbreaking feature film that provides an engaging and inspiring look at public education in the Uni! ted States. Waiting For “Superman” has helped lau! nch a mo vement to achieve a real and lasting change through the compelling stories of five unforgettable students such as Emily, a Silicon Valley eighth-grader who is afraid of being labeled as unfit for college and Francisco, a Bronx first-grader whose mom will do anything to give him a shot at a better life. Waiting For “Superman” will leave a lasting and powerful impression that you will want to share with your friends and family.In a documentary sure to get parents and teachers talking--and arguing--An Inconvenient Truth director Davis Guggenheim offers an eye-opening overview of America's ailing educational system. Geoffrey Canada, founder of the Harlem Children's Zone, serves as his primary speaker. As a kid in the Bronx, Canada learned that Superman didn't exist, which broke his heart, but also inspired him to help other underprivileged children. Aside from Canada and Washington, DC, school chancellor Michelle Rhee, Guggenheim profiles Anthony, Francisco, ! Bianca, Daisy, and Emily, engaging young people without access to institutions adequate to their needs (Guggenheim concentrates on the inner city). Bianca's single mother, for instance, sends her daughter to a private facility in New York, but that ends when she can no longer afford the tuition. The five families choose the charter school option, but not every child will win the lottery, since applicants outnumber spaces (in Bianca's case, 767 apply for 35 slots). Guggenheim also questions teachers' unions, which sometimes act against the best interests of students. He's particularly concerned about underperforming instructors who suffer no disciplinary measures due to tenure, but he credits the dedicated professionals who help at-risk kids beat the odds. The film ends with a potentially happy outcome for one subject, but updates on the others fail to materialize. After investing in their stories, it's natural to expect more information. Guggenheim otherwise provides a pers! uasive argument that involved parents will always have an adva! ntage ov er those who accept whatever comes their way--no matter how ineffective. --Kathleen C. FennessyThis set is designed for all American Sign Language teachers, instructors and beginner to advanced ASL students! For the first time ever, you now can launch your American Sign Language learning experience with a huge complete ASL DVD Set with teaching materials! Complete your studies with our 16-DVD ASL collection set, including a brand new Sign Language 101 DVD and an Idioms & Phrases in ASL, Vol. 1 Teacher's Instructional DVD with more than 70 pages of teacher's workbook! This exclusive set includes the following 17 DVDs and a workbook: Idioms & Phrases in ASL, Vol. 1: Teacher's Instructional DVD & Workbook Set Sign Language 101: A Beginner's Guide to American Sign Language Idioms & Phrases in American Sign Language, Vol. 1 Idioms & Phrases in American Sign Language, Vol. 2 Idioms & Phrases in American Sign Language, Vol. 3 Idioms & Phrases in American Sign Language, Vol. 4 Idioms & Phrases in American Sign Language, Vol. 5 American Sign Language Interpreter Training: Receptive Skills Practice, Vol. 1 American Sign Language Interpreter Training: Expressive Skills Practice, Vol. 1 Common Expressions in American Sign Language, Vol. 1 Common Expressions in American Sign Language, Vol. 2 American Sign Language Everyday Words: Activities & Events American Sign Language Vocabulary Builder, Vol. 1 American Sign Language Vocabulary Builder, Vol. 2 American Sign Language for Kids & Adults, Vol. 1: Everyday Lessons American Sign Language for Kids & Adults, Vol. 2: Visiting the Zoo American Sign Language for Babies & Toddlers All 17 DVDs and a workbook is on sale for $ 139.95! This complete library/collection is perfect for your school, library, college, university, family, interpreters, teachers, professionals, colleagues and just about everyone!

Wednesday, February 29, 2012

Mister Lonely

  • When a Michael Jackson impersonator (Diego Luna) living in Paris falls for a Marilyn Monroe impersonator (Samantha Morton) during a performance at a retirement home, the lovestruck pair retreats to a seaside castle in the Scottish highlands populated by a commune of reclusive impersonators. Earning a living can be a difficult endeavor in the City of Lights, and in order to make ends meet, one man
GUMMO - DVD MovieJULIEN DONKEY-BOY - DVD MovieIn the summer of 2010, Harmony Korine's Trash Humpers did for underground trend of "trash-humping" what Roll Bounce did for the roller-disco revival a few years earlier. But that doesn't matter anymore. Now you can keep a copy of the film you've tried to forget (we're still talking about Trash Humpers) in the discomfort of your very own home, or whatever it is that you call that place you're staying. This DVD comes with two extra featurettes and a bunch o! f deleted scenes plus an odor that we can't quite place...From Harmony Korine, screenwriter of Kids, comes a haunting portrait of life in small-town America. Through a collection of dreamlike and devastating images, Korine offers a glimpse of Xenia, Ohio, a world existing in the aftermath of a tornado.Filmmaker Larry Clark reunites with Kids screenwriter Harmony Korine, with some additional directorial assistance from cinematographer Ed Lachman, for this look at a group of troubled teens and their guardians living in Southern California. Ken Park takes its name from the skate park where an ancillary character takes his own life in the film's opening moments, and then proceeds to chronicle the somewhat-interrelated lives of his classmates.

The audience is introduced to Tate (James Ransome), a young man living in relative misery with his board-game-playing grandparents. Also tormented by his living situation is Claude (Stephen Jasso), a quiet, shy teen constantly henpecked by his brutish father (Wade Andrew Williams). Meanwhile, the vapid Shawn (James Bullard) occasionally trades verbal spars with his mother, in between leaving the house for erotic sessions with his girlfriend's mom. Finally there is Peaches (Tiffany Limos), living alone with her devoutly religious father as she covertly experiments with her boyfriend (Mike Apaletegui).

Though Ken Park played at such festivals as Toronto and Telluride in the fall of 2002, it would languish on the shelf for months and months afterward, as its non-commercial content made finding a U.S. distributor near-impossible.

Uncut & Uncensored Anamorphic (16:9) Widescreen Version
English 5.1 & Russian 5.1 Audio Options
Optional Russian SubtitlesMARTY IS A TORMENTED SURFER WHO RELIES ON HIS LONGTIME PALBOBBY FOR RIDES TO THE BEACH AND SOUTH FLORIDA BARS DESPITE VICIOUS ABUSE. BUT WHEN BOBBY TURNS HIS UNWANTED ATTENTION TO MARTY'S NEW GIRLFRIEND LISA AND HER BEST FRIEND ALLY, LISADECIDES BOBBY'S REIGN OF TERROR MUST END.MISTER LONELY - DVD Movie

Monday, February 13, 2012

Drive: The Surprising Truth About What Motivates Us

  • ISBN13: 9781594484803
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Ryan Gosling stars as a Hollywood stunt driver for movies by day and moonlights as a wheelman for criminals by night. Though a loner by nature, “Driver” can’t help falling in love with his beautiful neighbor Irene (Carey Mulligan), a young mother dragged into a dangerous underworld by the return of her ex-convict husband. After a heist goes wrong, Driver finds himself driving defense for the girl he loves, tailgated by a syndicate of deadly serious criminals (Albert Brooks and Ron Perlman). Soon he realizes the gangsters are after more than the bag of cash and is forced to shift gears and go on the offense. Denmark's Nicolas Winding Refn makes an electrifying return to Hollywood filmmaking with t! his 1980s-style noir, right down to the synth score and neon-pink credits (he released his American debut, Fear X, in 2003). Ryan Gosling puts his implacable quality to good use as an L.A. stunt driver whose world crumbles when he falls for the wrong woman (Carey Mulligan). Irene is hardly a femme fatale, but her incarcerated husband, Standard (Oscar Isaac), is another story. When her car breaks down, Driver recommends the auto shop where he works with Shannon (Breaking Bad's Bryan Cranston). The two start spending time together, but then Standard returns from prison. Driver keeps his distance until he discovers that Standard owes protection money. If he doesn't pay up, Irene and their son will suffer, so Driver offers to handle the wheel during a heist, a job with which he has more than a little experience, as the riveting opening sequence proves. While they plan their score with Blanche (Mad Men's Christina Hendricks), Shannon makes a deal with a coup! le of gangsters (Albert Brooks and Ron Perlman), but when the ! plans co llide: all hell breaks loose. In adapting James Sallis's novel, Refn builds to a bittersweet denouement, though the bursts of bloodshed will test even the hardiest of viewers. At its best, though, Drive is every bit as gripping as Reagan-era crime dramas like To Live and Die in L.A. and Thief. --Kathleen C. FennessyRyan Gosling stars as a Hollywood stunt driver for movies by day and moonlights as a wheelman for criminals by night. Though a loner by nature, “Driver” can’t help falling in love with his beautiful neighbor Irene (Carey Mulligan), a young mother dragged into a dangerous underworld by the return of her ex-convict husband. After a heist goes wrong, Driver finds himself driving defense for the girl he loves, tailgated by a syndicate of deadly serious criminals (Albert Brooks and Ron Perlman). Soon he realizes the gangsters are after more than the bag of cash and is forced to shift gears and go on the offense. Denmark's Nicolas Windi! ng Refn makes an electrifying return to Hollywood filmmaking with this 1980s-style noir, right down to the synth score and neon-pink credits (he released his American debut, Fear X, in 2003). Ryan Gosling puts his implacable quality to good use as an L.A. stunt driver whose world crumbles when he falls for the wrong woman (Carey Mulligan). Irene is hardly a femme fatale, but her incarcerated husband, Standard (Oscar Isaac), is another story. When her car breaks down, Driver recommends the auto shop where he works with Shannon (Breaking Bad's Bryan Cranston). The two start spending time together, but then Standard returns from prison. Driver keeps his distance until he discovers that Standard owes protection money. If he doesn't pay up, Irene and their son will suffer, so Driver offers to handle the wheel during a heist, a job with which he has more than a little experience, as the riveting opening sequence proves. While they plan their score with Blanche (M! ad Men's Christina Hendricks), Shannon makes a deal with a! couple of gangsters (Albert Brooks and Ron Perlman), but when the plans collide: all hell breaks loose. In adapting James Sallis's novel, Refn builds to a bittersweet denouement, though the bursts of bloodshed will test even the hardiest of viewers. At its best, though, Drive is every bit as gripping as Reagan-era crime dramas like To Live and Die in L.A. and Thief. --Kathleen C. FennessyMost people believe that the best way to motivate is with rewards like money--the carrot-and-stick approach. That's a mistake, says Daniel H. Pink in Drive. In this provocative and persuasive new book, he asserts that the secret to high performance and satisfaction--at work, at school, and at home--is the deeply human need to direct our own lives, to learn and create new things, and to do better by ourselves and our world.

Drawing on four decades of scientific research on human motivation, Pink exposes the mismatch between what science knows and wha! t business does-and how that affects every aspect of life. He examines the three elements of true motivation--autonomy, mastery, and purpose--and offers smart and surprising techniques for putting these into action in a unique book that will change how we think and transform how we live.

Thursday, January 26, 2012

A Bug's Life (Two-Disc Collector's Edition)

  • Journey inside the miniature world of bugs for bigger-than-life fun and adventure under every leaf! Crawling with imaginative characters, hilarious laughs, and colorful animation, Disney and Pixar's A BUG'S LIFE will "delight everyone -- young, old, or six-legged" ("People" magazine). On behalf of "oppressed bugs everywhere" an inventive ant named Flik hires "warrior bugs" to defend his co
In an anthill with millions of inhabitants, Z 4195 is a worker ant. Feeling insignificant in a conformity system, he accidentally meets beautiful Princess Bala, who has a similar problem on the other end of the social scale. In order to meet her again, Z switches sides with his soldier friend Weaver - only to become a hero in the course of events. By this he unwillingly crosses the sinister plans of ambitious General Mandible (Bala's fiancé, by the way), who wants to divide the ant society into a superior,! strong race (soldiers) and an inferior, to-be-eliminated race (the workers). But Z and Bala, both unaware of the dangerous situation, try to leave the oppressive system by heading for Insectopia, a place where food paves the streets. --Written by Julian ReischlWoody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can ! learn. Gene Hackman is all teeth (ants have teeth?) and menaci! ng grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerAntz -- The Alliance Book 4Antz Four - The Alliance
61,000 words.
Antz Four - The Alliance
61,000 words.
Woody Allen as a worker ant with an inferiority complex? Sylv! ester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picni! c ground), and a race to save his fellow workers from certain ! death. O ther voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerWoody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at ! the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of ex! pressions. The PG rating includes a gritty battle sequence tha! t may fr ighten youngsters. --Sean AxmakerBook Two of the Antz series finds mankind being swept from his own worlds, put to flight and scattered like cosmic dust. The Fleet has been routed. They can't stand toe to toe with the enemy. The only hope is that mankind can hold her worlds, but they will have to be held from the ground, and they were on their own. It has been a long time since man has been hunted by anything other than his own fellow men, but the instincts were still there.Book Two of the Antz series finds mankind being swept from his own worlds, put to flight and scattered like cosmic dust. The Fleet has been routed. They can't stand toe to toe with the enemy. The only hope is that mankind can hold her worlds, but they will have to be held from the ground, and they were on their own. It has been a long time since man has been hunted by anything other than his own fellow men, but the instincts were still there.A funny children's (& adult) cartoon movie.Woody Allen as! a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, a! n odyssey to the fabled land of plenty (a picnic ground), and ! a race t o save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerMankind has expanded unimpeded across the Galaxy. Expansionist and Imperialistic before space travel, one nation against the next, later the corporations, but man was many more times so after. After space travel. First men fought over the moon and mars, and then quickly onward as fast as the fuel of greed could compel them. The Corporations owned space.
Corporate expansion into the Galaxy didn't last long. It only lasted long enough for them to hav! e the first alien contact, and a devastating financial loss, and mankind suddenly found itself under attack by the first alien race it had made contact with.
Since that time man has marched across the Galaxy and over every sentient race he encountered, exterminating them down to specimens and even less in most cases. Man has grown strong and numerous and now sits quiescently in control of all he purveys. Until the day an unknown intruder exits Jump without warning and breaks through the Protected Zone.
Mankind has always been the most industrious, the most technological, the fiercest, the most numerous, whatever it took to prevail, but this new enemy outnumbers man millions to one and mankind finds itself in the unusual position of having either to prevail, or face complete annihilation.
The Hswgi have been marching across the Universe for millions of years. The Hswgi are vegetarian, but their larvae required meat. No longer planet dwellers, truly the no! mads they had been designed to be, they continued to raid as t! hey alwa ys had. Mankind seemed an an easy meal.
P.S. This book has received a new full edit as of 10/27/2011.
The next installment of this series will be coming in December 2011.
Thank you and enjoy!Mankind has expanded unimpeded across the Galaxy. Expansionist and Imperialistic before space travel, one nation against the next, later the corporations, but man was many more times so after. After space travel. First men fought over the moon and mars, and then quickly onward as fast as the fuel of greed could compel them. The Corporations owned space.
Corporate expansion into the Galaxy didn't last long. It only lasted long enough for them to have the first alien contact, and a devastating financial loss, and mankind suddenly found itself under attack by the first alien race it had made contact with.
Since that time man has marched across the Galaxy and over every sentient race he encountered, exterminating them down to specimens and even less in most cases. M! an has grown strong and numerous and now sits quiescently in control of all he purveys. Until the day an unknown intruder exits Jump without warning and breaks through the Protected Zone.
Mankind has always been the most industrious, the most technological, the fiercest, the most numerous, whatever it took to prevail, but this new enemy outnumbers man millions to one and mankind finds itself in the unusual position of having either to prevail, or face complete annihilation.
The Hswgi have been marching across the Universe for millions of years. The Hswgi are vegetarian, but their larvae required meat. No longer planet dwellers, truly the nomads they had been designed to be, they continued to raid as they always had. Mankind seemed an an easy meal.
P.S. This book has received a new full edit as of 10/27/2011.
The next installment of this series will be coming in December 2011.
Thank you and enjoy!Journey inside the world of bugs in this epic of miniature ! proportions. Crawling with imaginative characters, hilarious l! aughs, a nd colorful animation, Walt Disney Pictures Presentation of A Pixar Animation Studios Film, A BUG'S LIFE, will "delight everyone -- young, old, or six-legged." (People Magazine) In this 2-disc set you'll step behind the scenes for a look at the innovation and teamwork that resulted in this ingenious film. Loaded with bonus features â€" including animation not seen in theaters, abandoned sequences, and multiple surprises â€" A BUG'S LIFE COLLECTOR'S EDITION offers something for everyone from families to film lovers!There was such a magic on the screen in 1995 when the people at Pixar came up with the first fully computer-animated film, Toy Story. Their second feature film, A Bug's Life, may miss the bull's-eye but Pixar's target is so lofty, it's hard to find the film anything less than irresistible.

Brighter and more colorful than the other animated insect movie of 1998 (Antz), A Bug's Life is the sweetly told story of Flik (voiced by Dav! id Foley), an ant searching for better ways to be a bug. His colony unfortunately revolves around feeding and fearing the local grasshoppers (lead by Hopper, voiced with gleeful menace by Kevin Spacey). When Flik accidentally destroys the seasonal food supply for the grasshoppers he decides to look for help ("We need bigger bugs!"). The ants, led by Princess Atta (Julia Louis-Dreyfus), are eager to dispose of the troublesome Flik. Yet he finds help--a hearty bunch of bug warriors--and brings them back to the colony. Unfortunately they are just traveling performers afraid of conflict.

As with Toy Story, the ensemble of creatures and voices is remarkable and often inspired. Highlights include wiseacre comedian Denis Leary as an un-ladylike ladybug, Joe Ranft as the German-accented caterpillar, David Hyde Pierce as a stick bug, and Michael McShane as a pair of unintelligible pillbugs. The scene-stealer is Atta's squeaky-voiced sister, baby Dot (Hayden Panettiere! ), who has a big sweet spot for Flik.

More gentle and kid-! friendly than Antz, A Bug Life's still has some good suspense and a wonderful demise of the villain. However, the film--a giant worldwide hit--will be remembered for its most creative touch: "outtakes" over the end credits à la many live-action comedy films. These dozen or so scenes (both "editions" of outtakes are contained here) are brilliant and deserve a special place in film history right along with 1998's other most talked-about sequence: the opening Normandy invasion in Saving Private Ryan.

The video also contains Pixar's delightful Oscar-winning short, Geri's Game. Box art varies. --Doug Thomas

Thursday, January 19, 2012

Frankie & Johnny Are Married

  • In a hilariously misguided attempt to save his rocky marriage, Director Michael Pressman casts his wife opposite hit-shot actor Alan Rosenberg in a new play. But when Rosenberg can t differentiate between stage and real-life love scenes, it s up to Pressman to fix his marriage and keep the show on the road. Frankie & Johnny Are Married is a smart, witty romantic comedy that will touch anyone who s
In a hilariously misguided attempt to save his rocky marriage, Director Michael Pressman casts his wife opposite hit-shot actor Alan Rosenberg in a new play. But when Rosenberg can’t differentiate between stage and real-life love scenes, it’s up to Pressman to fix his marriage and keep the show on the road. Frankie & Johnny Are Married is a smart, witty romantic comedy that will touch anyone who’s been in a relationship.

Cold Dark Waters (Single (2002 remaster))

  • Made in 2002
  • Made by Hasbro
  • Larami Super Soaker
  • Blue and Purple Color Version, with Orange & Green
  • Super Soaker Max D-3000
No one loses their mind instantly â€" Sanity seeps away one drop at a time. Yoshimi simply wanted a better life â€" for both herself and her daughter Ikuko. Unfortunately, such wishes may sometimes be hard to come by. The custody battle has grown embittered and hurtful, her new job is less than desirable, and Ikuko’s schoolwork has taken a turn for the worse. But, Yoshimi has something bigger to worry about. Something upstairs. Something cold and dank. Something that should have never been.Dark Water is Japanese horror auteur Hideo Nakata's return to the genre after his Ring cycle made you too scared to watch television ever again. Where Ringu dealt with a supernatural force wreaking revenge via technology, this fi! lm is a much more traditional ghost story. After winning a custody battle for her daughter, single mother Yoshimi moves into what she thinks is the perfect apartment with her daughter Hitomi. No sooner have they unpacked than strange things begin to disturb their new life. A water leak from the supposedly abandoned apartment above gets bigger and bigger, a child's satchel reappears even though Yoshimi throws it away several times, and she is haunted by the image of a child wearing a yellow mackintosh who bears a striking resemblance to a young girl who disappeared several years before. The conventional narrative follows Yoshimi's increasingly desperate attempts to discover who or what force is haunting her daughter, but the story's execution is far from predictable. Nakata is the master of understated suspense: there's always a feeling of motiveless malignancy that runs like an undercurrent through his films--far more frightening than out and out shocks--and here he also pr! actically drowns his audience in water imagery. The film is sa! turated; the relentless dripping in the apartment, the constant rain outside and the deliberately washed-out photography make any color, such as the yellow coat, seem incongruous and unsettling. Nakata also clears the film of unnecessary characters--this is an almost deserted Tokyo--preferring to concentrate the action on Yoshimi's rising hysteria as she struggles to understand what is happening and how to save her daughter. Granted, the special effects are somewhat unconvincing and the ending confused, but even so the result is a stylish and disquieting chiller that will do for bathtubs what his Ring films did for video recorders. --Kristen Bowditch2002 Hasbro Larami Limited Larami Super Soaker Max D 3000 Water Squirt-Gun (Dark Blue/Dark Purple Version w/Green & Orange)

Wednesday, January 18, 2012

Before the Devil Knows You're Dead Framed Poster Movie Taiwanese C 11 x 17 Inches - 28cm x 44cm Philip Seymour Hoffman Ethan Hawke Albert Finney Marisa Tomei

  • Quality frame moldings are custom cut to the exact size of the poster
  • We use special non glare Plexiglas so your poster will look its best from any angle even in highly lit areas
  • Custom frame is hand crafted with care by our highly experienced staff
  • Protected with heavy bubble wrap and shipped in a sturdy corrugated box.
  • Approximate 11 x 17 Inches - 28cm x 44cm Before the Devil Knows You're Dead Taiwanese Style C Framed Poster
Master filmmaker Sidney Lumet directs this absorbing suspense thriller about a family facing the worst enemy of all itself. Oscar®-winner Philip Seymour Hoffman plays Andy, an overextended broker who lures his younger brother, Hank (Ethan Hawke) into a larcenous scheme: the pair will rob a suburban mom-and-pop jewelry store that appears to be the quintessential easy target. The problem is, the store owners are Andy and Hank s actual mom ! and pop and, when the seemingly perfect crime goes awry, the damage lands right at their doorstep. Oscar-winner Marisa Tomei plays Andy s trophy wife, who is having a clandestine affair with Hank. The stellar cast also includes Albert Finney as the family patriarch who pursues justice at all costs, completely unaware that the culprits he is hunting are his own sons. A classy, classic heist-gone-wrong drama in the tradition of The Killing and Lumet s own The Anderson Tapes, BEFORE THE DEVIL KNOW YOU RE DEAD is smart enough to know that we often have the most to fear from those who are near and dear.Sidney Lumet’s Before the Devil Knows You’re Dead is an exceptionally dark story about a crime gone wrong and the complicated reasons behind it. Philip Seymour Hoffman and Ethan Hawke are outstanding as brothers whose mutual love-hate relationship subtly colors their agreement to rob their own parents’ jewelry store, and more explicitly affects the anxious aftermath o! f their villainy when their mother (Rosemary Harris) ends up s! hot. Hof fman’s steely, emotionally locked-up Andy, despite pulling down six figures as a corporate executive, is supporting an expensive drug habit while trying to leave the country with his depressed wife, Gina (Marisa Tomei). Hank (Hawke), a whipped dog of low intelligence, owes back alimony and child support to his ex-spouse. Both men need money and agree to rip off their parents' business, a decision that goes awry and puts both men in various kinds of jeopardy while their mother remains comatose and their father (Albert Finney) lurches along trying to make sense of anything. Writer Kelly Masterson's screenplay employs a perhaps now-overly-familiar time-shifting tactic, jumping around the chronology of the story's events and replaying scenes from different vantage points. The effect is a little tedious but successfully deconstructs the film's drama in a way that shows how such terrible events are directly linked to family dysfunction, old wounds between parent and child, betwe! en siblings, that fester into full-blown tragedy. Eighty-three-year-old director Lumet (Serpico) employs bleached colors and scenes of blunt sexuality and violence, adding to the moral rudderlessness and banality of this airless world. If Devil feels a little reductive and insistently grim, it is also a generally persuasive work by an old master. --Tom KeoghMaster filmmaker Sidney Lumet directs this absorbing suspense thriller about a family facing the worst enemy of all itself. Oscar®-winner Philip Seymour Hoffman plays Andy, an overextended broker who lures his younger brother, Hank (Ethan Hawke) into a larcenous scheme: the pair will rob a suburban mom-and-pop jewelry store that appears to be the quintessential easy target. The problem is, the store owners are Andy and Hank s actual mom and pop and, when the seemingly perfect crime goes awry, the damage lands right at their doorstep. Oscar-winner Marisa Tomei plays Andy s trophy wife, who is having ! a clandestine affair with Hank. The stellar cast also includes! Albert Finney as the family patriarch who pursues justice at all costs, completely unaware that the culprits he is hunting are his own sons. A classy, classic heist-gone-wrong drama in the tradition of The Killing and Lumet s own The Anderson Tapes, BEFORE THE DEVIL KNOW YOU RE DEAD is smart enough to know that we often have the most to fear from those who are near and dear.Sidney Lumet’s Before the Devil Knows You’re Dead is an exceptionally dark story about a crime gone wrong and the complicated reasons behind it. Philip Seymour Hoffman and Ethan Hawke are outstanding as brothers whose mutual love-hate relationship subtly colors their agreement to rob their own parents’ jewelry store, and more explicitly affects the anxious aftermath of their villainy when their mother (Rosemary Harris) ends up shot. Hoffman’s steely, emotionally locked-up Andy, despite pulling down six figures as a corporate executive, is supporting an expensive drug habit while trying to leave th! e country with his depressed wife, Gina (Marisa Tomei). Hank (Hawke), a whipped dog of low intelligence, owes back alimony and child support to his ex-spouse. Both men need money and agree to rip off their parents' business, a decision that goes awry and puts both men in various kinds of jeopardy while their mother remains comatose and their father (Albert Finney) lurches along trying to make sense of anything. Writer Kelly Masterson's screenplay employs a perhaps now-overly-familiar time-shifting tactic, jumping around the chronology of the story's events and replaying scenes from different vantage points. The effect is a little tedious but successfully deconstructs the film's drama in a way that shows how such terrible events are directly linked to family dysfunction, old wounds between parent and child, between siblings, that fester into full-blown tragedy. Eighty-three-year-old director Lumet (Serpico) employs bleached colors and scenes of blunt sexuality and vio! lence, adding to the moral rudderlessness and banality of this! airless world. If Devil feels a little reductive and insistently grim, it is also a generally persuasive work by an old master. --Tom KeoghApproximate 11 x 17 Inches - 28cm x 44cm Before the Devil Knows You're Dead Taiwanese Style C

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We use special non glare Plexiglas so your poster will look its best from any angle even in highly lit areas.

Earth 2 - The Complete Series

  • Actors: Debrah Farentino, Clancy Brown, Jessica Steen, Antonio Sabato.
  • Format: Box set, Closed-captioned, Color, Dolby, Full Screen, NTSC.
  • Language: English. Subtitles: English, Spanish.
  • Region: Region 1 (U.S. and Canada only).
  • Not Rated. Run Time: 1025 minutes.
Rhoda and john two people whose worlds collide after a tragic accident. Their intimate drama plays out against the astounding discovery of earth 2 a parallel world that poses provocative and fascinating possibilities. Does a new earth mean a chance at another life? another destiny? another self? Studio: Tcfhe Release Date: 11/29/2011 Run time: 93 minutes Rating: Pg13Another Earth is an unusual hybrid of existential rumination on life choices, mind-bending sci-fi supposition, and challenging indie art film that moves at a pace that is often maddeningly oblique. Based on the marketing campaign,! which plays up the science-fiction angle and special effects (of which there are very few, consisting mainly of offhand composite shots), the movie seems to be trawling for an audience that may be sorely disappointed by all the roundabout and often repetitive philosophically conceptual ideas that are hard to follow. That's not to say that Another Earth isn't rich in ideas or absorbing in its own right as a meditation on how specific moments play out and affect the cascade of alternatives that follow in their wake. Using broadly impressionistic and experimental strokes, the story follows the disjointed meanderings of 17-year-old Rhoda, who causes a tragic accident while driving drunk after celebrating her acceptance into college. The collision happens when she becomes distracted by the mesmerizing planetary image glowing above her car's moon roof, which has just been identified as an exact duplicate of Earth. After four years of incarceration, she continues to suffer! terrible remorse and tries to find a way to make peace with h! erself a nd the older man whose life and family she all but destroyed, and who is now crippled by depression. Her initial self-imposed penance is to adopt the role of an anonymous maid who comes to clean his decrepit house every week. As precious few details are added to their individual and mutual evolution and motivation, the constant of the alternate Earth, which has been steadily moving closer (along with its mirror-image Moon), hovers in the day and night sky, gazed upon with wonder and a growing idea that maybe it represents the redemption Rhoda can't find on her own. A corporate contest that will allow an ordinary citizen to make a shuttle trip to Earth 2 (or is it Earth 1?) becomes the catalyst for her belief that she can fundamentally alter both their lives for the better, but the movie never shows its hand in how or if this might work. Another Earth is another of those high-minded indie dramas that relies a little too heavily on rambling structure, shaky handheld dig! ital camera, and arty shots of things like the play of light, clouds, and swirling dust motes to convey the corners of its characters' sometimes fascinating, sometimes inscrutable souls. Much has been made of the film's final shot, which is truly stunning in its unexpectedness and implications. But what those implications are will be cause for unending debate among viewers, many of who may never be able to come up with a satisfying answer. --Ted FryAnother Earth is an unusual hybrid of existential rumination on life choices, mind-bending sci-fi supposition, and challenging indie art film that moves at a pace that is often maddeningly oblique. Based on the marketing campaign, which plays up the science-fiction angle and special effects (of which there are very few, consisting mainly of offhand composite shots), the movie seems to be trawling for an audience that may be sorely disappointed by all the roundabout and often repetitive philosophically conceptual ide! as that are hard to follow. That's not to say that Another ! Earth isn't rich in ideas or absorbing in its own right as a meditation on how specific moments play out and affect the cascade of alternatives that follow in their wake. Using broadly impressionistic and experimental strokes, the story follows the disjointed meanderings of 17-year-old Rhoda, who causes a tragic accident while driving drunk after celebrating her acceptance into college. The collision happens when she becomes distracted by the mesmerizing planetary image glowing above her car's moon roof, which has just been identified as an exact duplicate of Earth. After four years of incarceration, she continues to suffer terrible remorse and tries to find a way to make peace with herself and the older man whose life and family she all but destroyed, and who is now crippled by depression. Her initial self-imposed penance is to adopt the role of an anonymous maid who comes to clean his decrepit house every week. As precious few details are added to their individual and mutual e! volution and motivation, the constant of the alternate Earth, which has been steadily moving closer (along with its mirror-image Moon), hovers in the day and night sky, gazed upon with wonder and a growing idea that maybe it represents the redemption Rhoda can't find on her own. A corporate contest that will allow an ordinary citizen to make a shuttle trip to Earth 2 (or is it Earth 1?) becomes the catalyst for her belief that she can fundamentally alter both their lives for the better, but the movie never shows its hand in how or if this might work. Another Earth is another of those high-minded indie dramas that relies a little too heavily on rambling structure, shaky handheld digital camera, and arty shots of things like the play of light, clouds, and swirling dust motes to convey the corners of its characters' sometimes fascinating, sometimes inscrutable souls. Much has been made of the film's final shot, which is truly stunning in its unexpectedness and implicati! ons. But what those implications are will be cause for unendin! g debate among viewers, many of who may never be able to come up with a satisfying answer. --Ted FryNo Description Available
No Track Information Available
Media Type: DVD
Artist: EARTH 2
Title: COMPLETE SERIES
Street Release Date: 07/19/2005
Domestic
Genre: TELEVISION

Filth and Wisdom

  • FILTH AND WISDOM (DVD MOVIE)
Madonna s directorial debut!

Filth and Wisdom, is a hilariously sexy tale of three roommates who must delve into mischievous and naughty behavior in pursuit of bigger and brighter futures. A Ukrainian immigrant, A.K. (Eugene Hutz), finances his dreams of trans-continental superstardom with his band, Gogol Bordello, by turning tricks as a role-playing cross dresser. As A.K. literally whips the privileged of London into shape, he also secretly pines for the object of his affection, Holly (Holly Weston), as aspiring ballerina looking for her big break while moonlighting as a slippery stripper. Meanwhile, Juliette (Vicky McClure) steals medicine from her pharmaceutical job in hopes of quenching her dreams of helping Africa s youth. Filth and Wisdom is every bit as erotic and playful as it is poignant and touching, revealing the universal struggles we all face i! n our pursuits of happiness.

Tuesday, January 17, 2012

ScanGauge II Ultra Compact 3-in-1 Automotive Computer with Customizable Real-Time Fuel Economy Digital Gauges

  • Programmable 3-in-1 automotive trip computer, diagnostic scan tool, and up to 37 digital gauges in one (vehicle dependent)
  • Watch fuel consumption, cost-per-mile, coolant temperature, engine speed, horsepower, and much more in real time
  • Works on all 1996 or newer OBDII cars, including gas, diesel, propane and hybrid vehicles
  • Checks for Diagnostic Trouble Codes (DTCs), clears the codes, and can turn off the "Check Engine" light
  • No tools required for installation, small size fits nearly anywhere in the vehicle
Erin (Drew Barrymore) and Garrett (Justin Long) strike sparks for a summer fling in New York City but neither expects it to last once Erin heads home to San Francisco and Garrett remains behind for his Big Apple job. But after six increasingly romantic weeks, neither is sure they want it to end. So despite the opposing coasts, naysaying friends and family an! d a few unexpected temptations, the couple just might have found something like love. And helped by a lot of texting and late-night phone calls, they might actually go the distance.Going the Distance sparkles with wit and true romance--something of a rarity among mass-market romantic comedies. Drew Barrymore and Justin Long, who have been a couple in real life, use their personal chemistry to effective ends in the film. They play Erin and Garrett, geography-crossed lovers who, after a whirlwind romance of six weeks in New York ("Keep it light! Keep it light" they both say, futilely), try to see if they can keep the love fires burning when Erin must move to the West Coast. There are predictable pitfalls and speed bumps that populate any romantic comedy, as well as a sublime supporting cast of friends and siblings. Especially notable is Christina Applegate as Erin's sister, Corinne, jaded and hilarious, and fiercely protective of her sister. But the charm of Going t! he Distance is in the winsomeness of its main stars. Barry! more and Long seem to be acting effortlessly, and their enjoyment of each other's company lets the audience feel a part of the romance. First-time screenwriter Geoff LaTulippe is less focused on zingers that are hard to believe as dialogue, and more on the subtle ways people get to know each other, and enjoy each other--especially with humor. Director Nanette Burstein (documentaries including American Teen and The Kid Stays in the Picture) keeps the action moving deftly and lets the two stars shine--even as they long for one another across the miles. Erin and Garrett's stab at phone sex is laugh-out-loud funny, yet their tender, tentative connection feels real and warm. Going the Distance lets its likable stars cross the finish line, and bring the audience along with them. --A.T. HurleyErin (Drew Barrymore) and Garrett (Justin Long) strike sparks for a summer fling in New York City but neither expects it to last once Erin heads home to San Francisco and G! arrett remains behind for his Big Apple job. But after six romantic weeks, neither is sure they want it to end. So despite opposing coasts, naysaying friends and family and unexpected temptations, the couple just might have found something like love. And helped by a lot of texting and late-night phone calls, they might actually go the distance. Going the Distance sparkles with wit and true romance--something of a rarity among mass-market romantic comedies. Drew Barrymore and Justin Long, who have been a couple in real life, use their personal chemistry to effective ends in the film. They play Erin and Garrett, geography-crossed lovers who, after a whirlwind romance of six weeks in New York ("Keep it light! Keep it light" they both say, futilely), try to see if they can keep the love fires burning when Erin must move to the West Coast. There are predictable pitfalls and speed bumps that populate any romantic comedy, as well as a sublime supporting cast of friends and ! siblings. Especially notable is Christina Applegate as Erin's ! sister, Corinne, jaded and hilarious, and fiercely protective of her sister. But the charm of Going the Distance is in the winsomeness of its main stars. Barrymore and Long seem to be acting effortlessly, and their enjoyment of each other's company lets the audience feel a part of the romance. First-time screenwriter Geoff LaTulippe is less focused on zingers that are hard to believe as dialogue, and more on the subtle ways people get to know each other, and enjoy each other--especially with humor. Director Nanette Burstein (documentaries including American Teen and The Kid Stays in the Picture) keeps the action moving deftly and lets the two stars shine--even as they long for one another across the miles. Erin and Garrett's stab at phone sex is laugh-out-loud funny, yet their tender, tentative connection feels real and warm. Going the Distance lets its likable stars cross the finish line, and bring the audience along with them. --A.T. HurleyOrigin! al soundtrack to the 2010 motion picture. Music plays a big part in the movie's storyline. Going The Distance introduces the UK band, The Boxer Rebellion, to US moviegoers with a live performance by the band at the end of the movie and the soundtrack brings The Boxer Rebellion to physical retail in the US for the first time. The Airborne Toxic Event recorded a special version of their new and unreleased song, 'Half Of Something Else', for the soundtrack.Going the Distance is the compelling saga of George Thomas' quest to prove himself physically and emotionally after a car accident left him with life-threatening epileptic seizures. The story is told vividly through Thomas' eyes as he pedals 2,911 miles in the bicycle Race Across America. As he battles stifling temperatures, grueling climbs, relentless headwinds, heavy rains, tedium and hallucinations from sleep deprivation, Thomas is repeatedly reminded of the even greater obstacles he once had to overcome simply to ride a ! bicycle again. Ultimately, Thomas discovers his journey is mor! e than a n individual accomplishment; it's a platform to inspire others. Going the Distance examines his extraordinary evolution from an ordinary man with an ordinary name to an accomplished ultra-athlete. George Thomas' story is both intriguing and inspiring -- a shining example of courage in the face of enormous odds.The ScanGaugeII is a compact vehicle computer that connects to the diagnostic connector in seconds and gives you an extensive trip computer, real time gauges and trouble code reader. It can read fuel economy as you drive, tell you how fast your friend drove your car last night, tell you when you are going to run out of fuel and dozens of other functions. Installation takes only seconds and requires no tools. It can be moved from car to car. Works on gas, diesel, propane, and hybrid vehicles. The ScanGaugeII works on all OBDII protocols including the new CAN protocol. The ScanGaugeII is a 3-in-1 automotive computer that combines a multifunction trip computer, diagnosti! c scan tool, and up to 37 digital gauges in one small package. It connects easily to your vehicle's On-Board Diagnostic (OBDII) port and communicates directly with the vehicle's computer. Not sure if your car uses OBDII or Controller Area Network (CAN)? The unit will automatically determine which system to use and switch to it. The ScanGaugeII works on all 1996 or newer OBDII cars, including gas, diesel, propane and hybrid vehicles, as well as vehicles with the latest CAN systems. A detachable cable allows for easy transfer between multiple vehicles. Its menu-driven operation means there's no need to memorize complex sequences, and no tools are required for installation.

Expandable Add-A-Gauge Technology
The ScanGaugeII has been redesigned with expandable Add-A-Gauge (aka XGauge) technology. Add to the original 12 gauges by customizing the ScanGaugeII to monitor up to 25 more--depending on your specific vehicle's sensor design. Four gauges can be ! displayed simultaneously and can help determine fuel consump! tion rat es, allowing you to adjust driving behavior and save gas. At the same time, keep an eye on coolant temperature, engine speed, and much more in real time. If there is a young driver in the house or friends borrow your car, the ScanGaugeII can record speeds of up to 158 mph and store the information for you to view later, so you will know just how fast your young driver or friend was going last night. If the unit was disconnected, you'll know: An indicator will be displayed in the trip data.


ScanGaugeII mounts easily to your dash.

Gauges include:

  • Horsepower
  • Fuel Consumption Rate to 1/100th per gallon/liter
  • Vehicle speed (MPH)
  • Fuel Economy
  • Cost Per Mile/Cost Per Trip
  • Manifold Pressu! re (not available on some vehicles)
  • Battery Voltage
  • Engine Load
  • Coolant Temperature
  • Throttle Position
  • Intake Air Temperature
  • Ignition Timing
  • Engine Speed (RPM)
  • O2 Sensor Data
  • Fuel Trim
  • Hybrid Battery Charge (for Toyota Prius and Ford Escape)
  • And many more, depending on your vehicle's sensor design

ScanGaugeII makes diagnostics easy.
View Larger
Scan Tool
The ScanGaugeII includes a diagnostic scan tool that can check for Diagnostic Trouble Codes (DTCs), clear the codes, and turn off the "Check Engine" light on 99% of 1996 and newer vehicles. (However, this feature may not work on some trouble codes in Dodge vehicles.) If any D! TCs are found, the ScanGauge will show how many there are as! well as the codes themselves. Then you can use the Internet or repair manual to find out which is the failed part is, so you can repair it yourself or know what needs to be fixed at the mechanic's shop.

Multifunction Trip Computer
Four sets of data are automatically recorded on the trip computer: Current, Today, Previous Day, and Tank Trip. The "current" trip restarts after the engine has been off for more than 3 minutes. The "today" trip restarts after the vehicle has not moved for 9 hours, and the data from "today" is moved to "previous day" when you restart the car, so you don't have to reset the computer every time you begin a trip. "Tank trip" resets when you fill up the tank. It can provide you with "to empty" data and other useful information, which can be viewed any time during the trip. The trip computer also integrates information from the Cost Per Mile gauge. Simply enter how much you paid per gallon or liter of fuel, and the ScanGauge will aut! omatically calculate the cost of your trips as you drive. The ScanGaugeII features 12 individually stored parameters, including:


ScanGaugeII features 63 backlit colors.
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  • Maximum Speed
  • Average Speed
  • Maximum Coolant Temperature
  • Maximum RPM
  • Driving Time
  • Driving Distance
  • Fuel Used
  • Fuel Cost
  • Trip Fuel Economy
  • Distance to Empty
  • Time to Empty
  • Fuel to Empty
Personalize It
A large, high-contrast LCD display makes viewing the information easy, and both the display and keys are backlit and can be set to off, low, or high. With 63 possible colors, user settings, tank trip data, and vehicle settings that are ! automatically saved, and up to 10 user commands that can be ! stored a nd recalled, the ScanGaugeII can be easily customized to suit your needs.

Carrie

  • ISBN13: 9780671039721
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Based on the best-selling Stephen King novel, Carrie "catches the mind, shakes it and refuses to let it go" (Time)! Starring Sissy Spacek and Piper Laurie (in OscarÂ(r)-nominated* performances), John Travolta and Amy Irving, this ultimate revenge fantasy is "absolutely spellbinding" (Roger Ebert), "outrageously witty" (Los Angeles Times) and one of the all-time great horror classics! At the center of the terror is Carrie (Spacek), a tortured high-school misfit with no confidence, no friends...and no idea about the extent of her secret powers of telekinesis. But when her psychotic mother and sadistic classmates finally go too far, the once-shy teen becomes an unrestrained, vengeance-seeking powerhouse! who, with the help of her 'special gift,' causes all hell to break loose in a famed cinematic frenzy of blood, fire and brimstone! *1976: Spacek, Actress; Laurie, Supporting ActressA modern classic, Carrie introduced a distinctive new voice in American fiction -- Stephen King. The story of misunderstood high school girl Carrie White, her extraordinary telekinetic powers, and her violent rampage of revenge, remains one of the most barrier-breaking and shocking novels of all time.

Make a date with terror and live the nightmare that is...CarrieWhy read Carrie? Stephen King himself has said that he finds his early work "raw," and Brian De Palma's movie was so successful that we feel like we have read the novel even if we never have. The simple answer is that this is a very scary story, one that works as well--if not better--on the page as on the screen. Carrie White, menaced by bullies at school and her religious nut of a mother at home, gradua! lly discovers that she has telekinetic powers, powers that wil! l eventu ally be turned on her tormentors. King has a way of getting under the skin of his readers by creating an utterly believable world that throbs with menace before finally exploding. He builds the tension in this early work by piecing together extracts from newspaper reports, journals, and scientific papers, as well as more traditional first- and third-person narrative in order to reveal what lurks beneath the surface of Chamberlain, Maine.

News item from the Westover (ME) weekly Enterprise, August 19, 1966: "Rain of Stones Reported: It was reliably reported by several persons that a rain of stones fell from a clear blue sky on Carlin Street in the town of Chamberlain on August 17th."

Although the supernatural pyrotechnics are handled with King's customary aplomb, it is the carefully drawn portrait of the little horrors of small towns, high schools, and adolescent sexuality that give this novel its power, and assures its place in ! the King canon. --Simon Leake

Horton Hears A Who!

  • ISBN13: 9780394800783
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
One of Dr. Seuss' most beloved stories roars to life as never before in this enormous animated adventure that proves "a person's a person no matter how small."

A playful pachyderm named Horton becomes a reluctant hero when he discovers the microscopic city of Who-ville on a floating speck of dust and embarks on a hilarious adventure to save the town from the dangers of the jungle. Featuring a who's who of superstar voice talent, including Jim Carrey, Steve Carell and Carol Burnett, this heartwarming hit comedy delivers loads of laughs and tons of fun for the whole family!Dr. Seuss's classic 1954 book Horton Hears a Who has entertained generations of children and served as the inspiration fo! r a 26-minute, 1970 television special Dr. Seuss's Horton Hears a Who and the 2000 Broadway musical Seussical: The Musical. This 2008, full-length animated movie features the voice talents of Jim Carrey as Horton, Steve Carrell as the Mayor of Whoville, Carol Burnett as the Kangaroo, and Jesse McCartney as JoJo and promises to delight a whole new generation of children and their parents and grandparents. The technological wonders of computer animation have allowed 20th Century Fox Animation to bring to life the wacky, colorful Whoville with its minute inhabitants and the lush Jungle of Nool with its host of distinctive animals and the result is a rich, fantastical world of wonder worthy of Dr. Seuss' own imagination. All the major plot elements of Dr. Seuss' book are present, with Horton hearing the faint cry for help from a tiny dust speck atop a small clover and doing his best to protect the inhabitants of that small civilization of Whoville despite the disb! elief, disdain, and persecution of his fellow animals. The fee! l of Dr. Seuss' original rhyming prose is partially preserved in the sparse narration by Charles Osgood that's interspersed throughout the film's dialogue and the overarching themes of staying true to one's convictions and the celebration of the power of perseverance, imagination, and kindness come through loud and clear. Horton Hears a Who is a fun rendering of a classic Dr. Seuss story that's sure to entertain viewers of all ages. --Tami Horiuchi

Beyond Horton Hears a Who ! on DVD


Nim’s Island on DVD

Alvin and the Chipmunks on DVD

Mr. Magorium’s Wonder Emporium on DVD



Stills from Horton Hears a Who! (Click for larger image)












Horton, the lovable elephant, tries to protect tiny creatures on a speck of dust. An easy reader with delightful verse and pictures.  Surely among the most lovable of all Dr. Seuss creations, Horton the Elephant represents kindness, trustworthiness, and perseverance--all wrapped up, thank goodness, in a comical and even absurd package. Horton hears a cry for help from a speck of dust, and spends much of the book trying to protect the infinitesimal creatures who live on it from ! the derision and trickery of other animals, who think their elephant friend has gone quite nutty. But worse is in store: an eagle carries away the clover in which Horton has placed the life-bearing speck, and "let that small clover drop somewhere inside / of a great patch of clovers a hundred miles wide!" Horton wins in the end, after persuading the "Who's" to make as much noise as possible and prove their existence. This classic is not only fun, but a great way to introduce thoughtful children to essentially philosophical questions. How, after all, are we so sure there aren't invisible civilizations floating by on every mote? (Ages 4 to 8) --Richard Farr

Monday, January 16, 2012

Fujifilm Instax Wide Instant Film Twin Pack

  • High-speed ISO 801
  • Super-Fine grain
  • Vivid, sharp images
  • Fast developing
EXPIRED - DVD MovieWhen ex-hero David Corbin receives an unexpected wedding invitation from the girl he once loved, he sets out on a journey to South Ryshard to crash the event and proclaim his true feelings to her. With help from his close friend, Veronica, and a girl named Kimberly, David battles his way through crooked agents, a crazed farmer and a demon hybrid to reach the wedding on time. Only when he runs into Turquoise, a mysterious woman on her own mission to stop the wedding and procure an enchanted timepiece, does he realize that the fate of humanity hangs in the balance.

Carrie Green is days away from marrying Jerad Montlier, one of the richest men in the world. Lacking any memory of her past, and displaying a peculiar spiral birthmark on her shoulder blade, Carrie is spun int! o further confusion when a diary with her name on it falls into her possession. Reading the entries inside sparks a recollection of her past and reveals the horrifying trap that’s been set.

As heroes’ paths collide, the beginning of the end launches in this epic first volume of the Expired Reality series.
When ex-hero David Corbin receives an unexpected wedding invitation from the girl he once loved, he sets out on a journey to South Ryshard to crash the event and proclaim his true feelings to her. With help from his close friend, Veronica, and a girl named Kimberly, David battles his way through crooked agents, a crazed farmer and a demon hybrid to reach the wedding on time. Only when he runs into Turquoise, a mysterious woman on her own mission to stop the wedding and procure an enchanted timepiece, does he realize that the fate of humanity hangs in the balance.

Carrie Green is days away from marrying Jerad Montlier, one of the richest men in th! e world. Lacking any memory of her past, and displaying a pecu! liar spi ral birthmark on her shoulder blade, Carrie is spun into further confusion when a diary with her name on it falls into her possession. Reading the entries inside sparks a recollection of her past and reveals the horrifying trap that’s been set.

As heroes’ paths collide, the beginning of the end launches in this epic first volume of the Expired Reality series.
Fujifilm Instax Instant Color Film is professional grade and provides superior performance.

"F" is for Fugitive (Kinsey Millhone Mysteries)

  • ISBN13: 9780312939045
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
In 2003 a unique group of adult paranormal students find that invoking the spirits can be dangerous; especially when their paths intertwine with a demented spirit who bitterly grieves over the early death of his only son during the Civil War; he still avenges his son's death by murdering Southerners. When one woman in the paranormal group disappears, the instructor seeks help from Private Investigator Russell Williams who discovers that he might have to arrest a spirit. Lack of training in such ghostly matters makes his job nearly impossible until he finds a special option within himself.
"Don't believe it until I see it", he said. He didn't believe in ghosts until....


In 2003 a! unique group of adult paranormal students find that invoking the spirits can be dangerous; especially when their paths intertwine with a demented spirit who bitterly grieves over the early death of his only son during the Civil War; he still avenges his son's death by murdering Southerners. When one woman in the paranormal group disappears, the instructor seeks help from Private Investigator Russell Williams who discovers that he might have to arrest a spirit. Lack of training in such ghostly matters makes his job nearly impossible until he finds a special option within himself.
"Don't believe it until I see it", he said. He didn't believe in ghosts until....


Forever altered by his experience in Furnace Penetentiary, Alex has done the impossible and escaped. But the battle for freedom is only just beginning. Charged with his superhuman abilities, Alex must uncover the last of Furnace’s secretsâ€"the truth about the man who built the prison, ! the man known as Alfred Furnace. And to do that he must stop r! unning a nd finally confront his greatest fears.

When Kinsey Millhone first arrives in Floral Beach, California, it's hard for her to picture the idyllic coastal town as the setting of a brutal murder. Seventeen years ago, the body of Jean Timberlake--a troubled teen who had a reputation with the boys--was found on the beach. Her boyfriend Bailey Fowler was convicted of her murder and imprisoned, but he escaped.

After all this time, Bailey's finally been captured. Believing in his son's innocence, Bailey's father wants Kinsey to find Jean's real killer. But most of the residents in this tight-knit community are convinced Bailey strangled Jean. So why are they so reluctant to answer Kinsey's questions? If there's one thing Kinsey's got plenty of it's persistence. And that's exactly what it's going to take to crack the lid on this case.

As Kinsey gets closer to solving Jean's murder, the more dirty little secrets she uncovers in a town where everyone ! has something to hide--and a killer will kill again to keep the past buried...

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